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Coins and Medals

23 September 2013 | starting at 10:00 PDT
Live Auction

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Lot gallery

132 lots available

1795 $10 9 Leaf BD-3, R.6. The Bass-Dannreuther reference notes: "It is one of the most famous die varieties among early gold coins--the king of the Small Eagle type." A rare prize in any grade. Indeed, if a knowledgeable group of numismatists gathered to discuss each of the key issues within the U.S. coinage series, the conversation would not be complete without first paying proper homage to this legendary early $10 gold issue. Its importance to American coin collectors is well supported, due both to its extreme rarity (a mere two dozen or so pieces are believed to be extant with just 15 distinct specimens traced by Anthony Taraszka), and its broad-based, versatile collector appeal. Not only would early gold coin date and variety specialists have the utmost interest in acquiring such a coin, this issue also transcends such boundaries by appealing to advanced type coin collectors (this nine leaf reverse can certainly be categorized as a separate subtype if not a distinct reverse type in and of itself). The combined NGC and PCGS population tally for the issue amounts to 24 pieces, excluding this one of course, though it's entirely possible that there may be some duplication owing to resubmissions. All things considered, this is a coin that will be appreciated by its next steward for many reasons, though perhaps its rarity will be the main focal point. The specimen offered here more than adequately represents this key issue in every respect. Subtly reflective yellow-golden fields are pleasantly highlighted by hints of green-gold patina. The central design elements are more than adequately struck and display only the typical lack of reverse definition on the right side of the breast and left side of the neck of the eagle. In light of the age, method of manufacture, and exceeding rarity of this coin, the example offered here truly is quite special in every respect. Bid liberally, as it may be quite some time before a similar opportunity presents itself.

2077
1795 $10 9 Leaf
BD-3, R.6. The Bass-Dannreuther reference notes: "It is one of the most famous die varieties among early gold coins--the king of the Small Eagle type." A rare prize in any grade. Indeed, if a knowledgeable group of numismatists gathered to discuss each of the key issues within the U.S. coinage series, the conversation would not be complete without first paying proper homage to this legendary early $10 gold issue. Its importance to American coin collectors is well supported, due both to its extreme rarity (a mere two dozen or so pieces are believed to be extant with just 15 distinct specimens traced by Anthony Taraszka), and its broad-based, versatile collector appeal. Not only would early gold coin date and variety specialists have the utmost interest in acquiring such a coin, this issue also transcends such boundaries by appealing to advanced type coin collectors (this nine leaf reverse can certainly be categorized as a separate subtype if not a distinct reverse type in and of itself). The combined NGC and PCGS population tally for the issue amounts to 24 pieces, excluding this one of course, though it's entirely possible that there may be some duplication owing to resubmissions. All things considered, this is a coin that will be appreciated by its next steward for many reasons, though perhaps its rarity will be the main focal point.

The specimen offered here more than adequately represents this key issue in every respect. Subtly reflective yellow-golden fields are pleasantly highlighted by hints of green-gold patina. The central design elements are more than adequately struck and display only the typical lack of reverse definition on the right side of the breast and left side of the neck of the eagle. In light of the age, method of manufacture, and exceeding rarity of this coin, the example offered here truly is quite special in every respect. Bid liberally, as it may be quite some time before a similar opportunity presents itself.

US$120,000 - US$140,000

1861-S Paquet $20 This rare issue bears the name of Anthony C. Paquet, the assistant mint engraver who executed a new reverse design for the double eagle in 1860. Paquet's reverse is distinguishable from Chief Engraver Longacre's work by his use of tall, narrow lettering in the legend UNITED STATES OF AMERICA and the denomination TWENTY D. The Paquet reverse also features a very thin border, and this feature proved to be the downfall of the design. This border did not provide sufficient protection for the reverse devices, and Mint employees feared that the Paquet double eagle would not hold up well in circulation. All but two of the examples struck in the Philadelphia Mint during 1861 were recalled and melted before they were released into commercial channels. By the time similar orders reached the West Coast, however, the San Francisco Mint had struck and distributed 19,250 examples dated 1861. Survivor of this S-mint delivery are the rarest Type One double eagles struck in this coinage facility, and they probably now number no more than 90-100 coins in all grades. This is an uncommonly attractive coin for a Paquet double eagle that saw light circulation. The surfaces retain outlines of original luster to the devices, and they are free of sizeable and/or singularly mentionable abrasions. Both sides are, of course, lightly abraded in appearance, but one must accept this feature as par for the course as far as a circulated double eagle from the early frontier era is concerned. Otherwise medium-gold color surfaces reveal an opaque hazy appearance. Well defined with a boldly executed strike, this coin comes highly recommended for the advanced gold specialist. Although once considered a pattern, the '61-S Paquet twenty is now rightly regarded as a regular issue. Examples, while rare in their own right, are highly prized as the only realistically obtainable survivors of this important one-year type in the U.S. gold series. (PCGS 8936)

2085
1861-S Paquet $20
This rare issue bears the name of Anthony C. Paquet, the assistant mint engraver who executed a new reverse design for the double eagle in 1860. Paquet's reverse is distinguishable from Chief Engraver Longacre's work by his use of tall, narrow lettering in the legend UNITED STATES OF AMERICA and the denomination TWENTY D. The Paquet reverse also features a very thin border, and this feature proved to be the downfall of the design. This border did not provide sufficient protection for the reverse devices, and Mint employees feared that the Paquet double eagle would not hold up well in circulation. All but two of the examples struck in the Philadelphia Mint during 1861 were recalled and melted before they were released into commercial channels. By the time similar orders reached the West Coast, however, the San Francisco Mint had struck and distributed 19,250 examples dated 1861. Survivor of this S-mint delivery are the rarest Type One double eagles struck in this coinage facility, and they probably now number no more than 90-100 coins in all grades.

This is an uncommonly attractive coin for a Paquet double eagle that saw light circulation. The surfaces retain outlines of original luster to the devices, and they are free of sizeable and/or singularly mentionable abrasions. Both sides are, of course, lightly abraded in appearance, but one must accept this feature as par for the course as far as a circulated double eagle from the early frontier era is concerned. Otherwise medium-gold color surfaces reveal an opaque hazy appearance. Well defined with a boldly executed strike, this coin comes highly recommended for the advanced gold specialist. Although once considered a pattern, the '61-S Paquet twenty is now rightly regarded as a regular issue. Examples, while rare in their own right, are highly prized as the only realistically obtainable survivors of this important one-year type in the U.S. gold series. (PCGS 8936)

US$70,000 - US$80,000

1838 Pattern 50C Judd-81 Restrike, Pollock-88, R.7-, Proof 64 Brown NGC The obverse features a Seated Liberty design by Christian Gobrecht without drapery, surrounded by 13 stars, and the date, 1838 below the base. LIBERTY has incuse letters. The reverse displays an eagle flying left, holding six arrows in its left claw, and an olive branch in its hidden right claw. UNITED STATES OF AMERICA surrounds the border with HALF DOL. at the lower border. Struck in copper with a reeded edge. Evidence of an incomplete strike is noted at the centers, with some minor surface roughness and a few hairlines. The fields are well mirrored, with a crescent of steel-blue and violet on the obverse that accompanies pronounced olive-green coloration. The reverse is similar with somewhat brighter green-gold at the center. It is thought that six to eight examples of this variety are known in copper, and they were produced in the late 1860s or early 1870s. The first known auction appearance was in the 1875 Cogan sale of the Colonel Cohen Collection. Today, three of those known are in museums--the Smithsonian Institution, the Connecticut State Library, and the Western Heritage Museum--reducing the available population for collectors. A comment at USPatterns.com suggests that the reverse die was actually a creation of the restrike period: "...To my knowledge, no originals were ever made using this reverse die. In fact, I believe that this die was actually finished many years later either in the late 1860s or early 1870s." NGC Census: 1 in Proof 64 Brown, 1 finer (PR66 Brown) -- PCGS Population: A single coin in PR64 Brown. (PCGS 11336)

2101
1838 Pattern 50C Judd-81 Restrike, Pollock-88, R.7-, Proof 64 Brown NGC
The obverse features a Seated Liberty design by Christian Gobrecht without drapery, surrounded by 13 stars, and the date, 1838 below the base. LIBERTY has incuse letters. The reverse displays an eagle flying left, holding six arrows in its left claw, and an olive branch in its hidden right claw. UNITED STATES OF AMERICA surrounds the border with HALF DOL. at the lower border. Struck in copper with a reeded edge. Evidence of an incomplete strike is noted at the centers, with some minor surface roughness and a few hairlines. The fields are well mirrored, with a crescent of steel-blue and violet on the obverse that accompanies pronounced olive-green coloration. The reverse is similar with somewhat brighter green-gold at the center.

It is thought that six to eight examples of this variety are known in copper, and they were produced in the late 1860s or early 1870s. The first known auction appearance was in the 1875 Cogan sale of the Colonel Cohen Collection. Today, three of those known are in museums--the Smithsonian Institution, the Connecticut State Library, and the Western Heritage Museum--reducing the available population for collectors. A comment at USPatterns.com suggests that the reverse die was actually a creation of the restrike period: "...To my knowledge, no originals were ever made using this reverse die. In fact, I believe that this die was actually finished many years later either in the late 1860s or early 1870s." NGC Census: 1 in Proof 64 Brown, 1 finer (PR66 Brown) -- PCGS Population: A single coin in PR64 Brown. (PCGS 11336)

Sold for US$14,040 inc. premium

1872 Pattern Amazonian 50C, Judd-1200, Pollock-1340, R.6. Proof 63 PCGS CAC Sticker, PCGS Secure Holder. Barber's famed Amazonian design includes a seated figure of Liberty left with standing eagle, her right hand upon its head, shield and sword at left hand, stars 7X6 around, date below. The reverse is of the standing eagle design with claw on shield, IN GOD WE TRUST on draped ribbon, UNITED STATES OF AMERICA HALF DOL. around. Struck in silver with a reeded edge. Lustrous steel gray with deep slate frost on both sides. Sharply struck and choice for the grade. An area of sliver brightness is noted at the center of the reverse. The uspatterns.com website notes: "William Barber's 'Amazonian' design is considered to be one of the most beautiful ever made by the US Mint. This design was issued in sets of the quarter dollar, half dollar and silver dollar in silver, copper, and aluminum. The 'Amazonian' name dates to the 1890 New York Coin and Stamp auction of the Lorin G. Parmelee collection and was probably given by David Proskey." If a popularity contest was held for pattern coin designs, the 1872 Amazonian quarter, half dollar, and dollar, all of which have the same motif, would surely land at or near the top. The problem is that relatively few coins exist in comparison to the demand for them. An important opportunity to add one of the most popular of all pattern types to your collection. Population: 2 in Proof 63, just 1 finer (Proof 64). (PCGS 61471)

2103
1872 Pattern Amazonian 50C, Judd-1200, Pollock-1340, R.6. Proof 63 PCGS
CAC Sticker, PCGS Secure Holder. Barber's famed Amazonian design includes a seated figure of Liberty left with standing eagle, her right hand upon its head, shield and sword at left hand, stars 7X6 around, date below. The reverse is of the standing eagle design with claw on shield, IN GOD WE TRUST on draped ribbon, UNITED STATES OF AMERICA HALF DOL. around. Struck in silver with a reeded edge. Lustrous steel gray with deep slate frost on both sides. Sharply struck and choice for the grade. An area of sliver brightness is noted at the center of the reverse.

The uspatterns.com website notes: "William Barber's 'Amazonian' design is considered to be one of the most beautiful ever made by the US Mint. This design was issued in sets of the quarter dollar, half dollar and silver dollar in silver, copper, and aluminum. The 'Amazonian' name dates to the 1890 New York Coin and Stamp auction of the Lorin G. Parmelee collection and was probably given by David Proskey." If a popularity contest was held for pattern coin designs, the 1872 Amazonian quarter, half dollar, and dollar, all of which have the same motif, would surely land at or near the top. The problem is that relatively few coins exist in comparison to the demand for them. An important opportunity to add one of the most popular of all pattern types to your collection. Population: 2 in Proof 63, just 1 finer (Proof 64). (PCGS 61471)

US$50,000 - US$55,000

1915-S Panama-Pacific $50 Octagonal MS63 NGC Fully lustrous and attractive for this prized rarity that boasts a mintage of just 645 pieces. The unusual shape of the eight sided or octagonal design brings to mind the elegant Humbert $50s of the same shape a few generations prior, also regarded with fond memories by any who had seen such majesty. Designed by Robert Aitken, the Panama-Pacific $50s display Liberty as Athena wearing her helmet pitched back upon the top of her head in classical fashion thus showing her face. The helmet is adorned with a band of laurel leaves and crested to give her further stature in keeping with historic Greek helmets of ancient period. The upper obverse field has the Motto IN GOD WE TRUST, with the Roman numerals date spanning her shoulder. A band encircles the design in which the balance of the denomination and country name are spelled out. Eight small dolphins swim in the corners of the octagonal shape. Athena is the goddess of wisdom, courage, inspiration, civilization, law and justice, just warfare, mathematics, strength, strategy, the arts, crafts and skill. Gods and goddesses developed later by the Greeks were of more singular purposes, but Athena being born of Zeus through his aching head, required a great many skills to accomplish her missions and earn the endearing praise of the Greek population. The reverse design continues with the classical theme of a Greek owl perched upon the branch of what appears to be a large pine tree with enormous pine cones and needles surrounding his perch. Matching outer circle with legends of the Exposition and city location, again with eight stylized dolphins in each of the corners of the design. Handsome quality and appealing with green-gold surfaces and no singularly mentionable marks or abrasions. These have been highly sought after since their initial release in 1915 and remain a very popular collector coin today. Accompanied with an original black leatherette case of issue.

2104
1915-S Panama-Pacific $50 Octagonal MS63 NGC
Fully lustrous and attractive for this prized rarity that boasts a mintage of just 645 pieces. The unusual shape of the eight sided or octagonal design brings to mind the elegant Humbert $50s of the same shape a few generations prior, also regarded with fond memories by any who had seen such majesty. Designed by Robert Aitken, the Panama-Pacific $50s display Liberty as Athena wearing her helmet pitched back upon the top of her head in classical fashion thus showing her face. The helmet is adorned with a band of laurel leaves and crested to give her further stature in keeping with historic Greek helmets of ancient period. The upper obverse field has the Motto IN GOD WE TRUST, with the Roman numerals date spanning her shoulder. A band encircles the design in which the balance of the denomination and country name are spelled out. Eight small dolphins swim in the corners of the octagonal shape. Athena is the goddess of wisdom, courage, inspiration, civilization, law and justice, just warfare, mathematics, strength, strategy, the arts, crafts and skill. Gods and goddesses developed later by the Greeks were of more singular purposes, but Athena being born of Zeus through his aching head, required a great many skills to accomplish her missions and earn the endearing praise of the Greek population.

The reverse design continues with the classical theme of a Greek owl perched upon the branch of what appears to be a large pine tree with enormous pine cones and needles surrounding his perch. Matching outer circle with legends of the Exposition and city location, again with eight stylized dolphins in each of the corners of the design. Handsome quality and appealing with green-gold surfaces and no singularly mentionable marks or abrasions. These have been highly sought after since their initial release in 1915 and remain a very popular collector coin today. Accompanied with an original black leatherette case of issue.

Sold for US$76,050 inc. premium

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