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FROM THE MOZHAI COLLECTION (LOT 101-143)
「默齋」曹仲英先生舊藏中國書畫 (編號101-143)
Lot 112

JIN CHENG (1878-1926)
Landscape After Zhao Mengfu

24 October – 7 November 2025, 12:00 HKT
Hong Kong, Six Pacific Place

Sold for HK$19,200 inc. premium

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JIN CHENG (1878-1926)

Landscape After Zhao Mengfu
Ink on paper, hanging scroll
Inscribed and signed Jin Cheng, with a dedication and one artist's seal
52 x 27.4cm (20¼ x 10¾in)

Footnotes

Published:
Collection of Modern Chinese Paintings-Collection of Cao Mozhai, Vol. III, Shanghai Paintings and Calligraphy Publishing House, Shanghai, July 2010, p. 680-681

金城 倣古山水 水墨紙本 立軸

款識:
松雪翁仿北苑,香光老人評爲天下第一,偶宗其法,雲卿仁弟雅正。金城。

鈐印:金城印

出版:
《近現代中國繪畫集萃——曹氏墨齋藏》(三),(上海)上海書畫出版社,二〇一〇年七月,頁680至681

註:畫幅右上方楷書題跋︰「松雪翁(趙孟頫)仿北苑(董源),香光老人(董其昌)評爲天下第一,偶宗其法。」寥寥數語表明創作意圖。金城心儀宋元,尤倡宋法,推崇董原、巨然,曾出版臨摹董源畫册專輯,《湖社月刊》從1931年起,一再刊登「金北樓先生臨摹董北苑畫册出版」廣告然在金城的時代,宋畫、董、巨真迹已難得見,故從被董其昌評爲仿董源天下第一的趙孟頫追溯董源,以趙氏師董源法作畫乃最好之方法。此畫前景之水腳坡石,中景山巒礬頭長披麻皴均深得董氏神韵﹔特别是松樹繪法,法度嚴謹,重寫實,强調理法與質趣,尤具宋代早期繪畫特徵,與明清以來之概念化表現法有較大區别。楷書題跋書風近元趙孟頫之圓潤嚴謹,與畫風相應。 ——曹慶暉

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