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FROM THE MOZHAI COLLECTION (LOT 101-143)
「默齋」曹仲英先生舊藏中國書畫 (編號101-143)
Lot 108

QIAN DU (1764-1845)
Living by the Pine Trees, 1839

24 October – 7 November 2025, 12:00 HKT
Hong Kong, Six Pacific Place

Sold for HK$30,720 inc. premium

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QIAN DU (1764-1845)

Living by the Pine Trees, 1839
Ink and colour on paper, hanging scroll
Signed Qian Du, with a dedication and one artist's seal
Dated jihai year of Daoguang reign (1839)
72.5 x 31.3cm (28½ x 12⅜in)

Footnotes

Published:
Collection of Modern Chinese Paintings-Collection of Cao Mozhai, Vol. I, Shanghai Paintings and Calligraphy Publishing House, Shanghai, July 2010, p. 52-53

錢杜 松林閑居 設色紙本 立軸 一八三九年作

款識︰
鹿賓先生屬畫。道光己亥九月,錢杜。

鈐印︰叔美

出版:
《近現代中國繪畫集萃——曹氏墨齋藏》(一),(上海)上海書畫出版社,二〇一〇年七月,頁52至53

註︰本圖作於1839年,錢杜於1842年一則題跋中對自己早年創作總結云︰「廿年前作山水喜用青綠設色,所師者爲趙是興、文太史,而於鷗波尤爲篤好。」(秦祖永《桐陰論畫三編》下卷,「翟繼昌」條)從本畫風格看,正乃錢杜自述早年風格。前景樹枝優美稚拙,顯具趙孟頫風格,小青綠設的則具文徵明特點。近景頗具文徵明名作《真賞齋圖》意味色調相近,屋齋空寂無人,門外孤鶴閑步,寓高士隱居意。山石以長披麻皴成,柔和秀逸,長松雜樹曲綫優美,能色淡雅,如翠如玉。此圖有助京江、杭州兩畫家羣體風格對比。以錢杜、張崟代表畫家爲例,二人皆偏好採用青綠山水。職業畫家張多數作品施以重墨加飽滿透明植物性顔料,而官員業餘畫錢杜則吸收董其昌式皴綫,施用薄而半透明之礦物質顏料求豐滿空靈兼具之效果。京江派畫家更多受明代後期吳門派影響,選材多爲實景山水;而杭州畫家羣體(因錢杜號松壹而有「松壺派」之稱)更多受正統文人畫風影響,題材多文化符號式虛構之景。——邵彦

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