Footnotes

Provenance
Soka Gallery, Taipei
Acquired from the above by the present owner.
Private collection, Asia.

Exhibited
Beijing, Soka Art, Literati Painting From Six Artists, 8 October - 18 December 2016.

梁銓
無題
設色 拼貼 紙本
2016年作

簽名：梁銓 2016 （右下）

來源
索卡畫廊，台北
現藏家得自上述來源
亞洲私人收藏

展覽
「文人繪畫六君子」，索卡藝術，北京，2016年10月8日至12月18日

Liang Quan's Untitled combines ink and collage innovatively, reflecting deep contemplation of tradition and modernity. As a prominent figure in Chinese contemporary art, Liang Quan is renowned for his unique techniques, and Untitled exemplifies his artistic exploration. Through cutting, collaging, and layering rice paper, the work creates rich visual depth, preserving the fluidity and charm of ink while infusing it with a modern texture. The fragmented collage technique symbolizes the diversity and fragmentation of modern society, while also suggesting a deconstruction and reconstruction of traditional culture.

In composition, Untitled is strikingly minimalist, dominated by black, white, and gray tones with subtle hints of pale colour, evoking a serene yet profound atmosphere. The use of negative space continues the aesthetic of traditional ink painting while serving as a metaphor for space and time. Liang Quan employs this simplicity to guide viewers into introspection, prompting reflection on the relationship between the individual and nature, tradition and modernity. The sense of layering, achieved through collage, resembles historical sedimentation, inviting interpretation.

Beyond a visual artwork, Untitled is a meditation on cultural identity. Ink embodies Chinese tradition, while collage stems from Western modern art; their fusion explores dialogues between East and West, tradition and modernity. The fragmented treatment hints at the complexity of identity in modern society, elevating the work beyond mere aesthetics into a response to contemporary issues.

On aesthetic and philosophical levels, Untitled explores the concepts of "emptiness" and "presence." The negative space and layered collage bridge traditional continuity and modern response, encouraging viewers to ponder existence and the meaning of art, blending visual impact with philosophical depth.


In summary, Liang Quan's Untitled showcases innovation in ink art through its unique techniques, minimalist composition, and profound cultural and philosophical reflections. It serves as a dialogue between tradition and modernity, an exploration of cultural identity and aesthetics, opening new possibilities for Chinese contemporary art and standing as both a representative work and a significant inspiration.

梁銓的《無題》以水墨與拼貼的創新結合，展現了對傳統與現代的深刻思考。作為中國當代藝術的代表，梁銓以獨特技法聞名，《無題》是其藝術探索的典型。通過宣紙剪裁、拼貼與重疊，作品創造出豐富的視覺層次，保留水墨的流動性與韻味，同時具現代質感。拼貼的碎片化處理，象徵現代社會的多元與碎片化，並暗示對傳統文化的解構與重構。

在構圖上《無題》極為簡約，以黑白灰為主色調，輔以少量淡彩，營造靜謐深邃的氛圍。留白延續傳統水墨美學，也隱喻空間與時間。梁銓以極簡構圖引導觀眾內省，反思個人與自然、傳統與現代的關係。層次感通過拼貼實現，每層如歷史沉澱，待觀者解讀。

《無題》不僅是視覺藝術品，更是對文化身份的反思。水墨代表中國傳統，拼貼源自西方現代藝術，兩者融合探討東西方、傳統與現代的對話。碎片化處理暗示現代社會身份的複雜性，使作品超越視覺美學，成為對當代社會的回應。

在美學與哲學層面，《無題》展現對「空」與「有」的思考。留白與多層拼貼既有傳統延續，又具現代回應，引導觀眾思考存在與藝術的意義，兼具視覺衝擊與哲學深度。

總之，梁銓的《無題》以獨特技法、簡約構圖、深刻的文化與哲學反思，展現水墨藝術的創新。這幅作品是傳統與現代的對話，也是對文化身份與美學的探索，為中國當代藝術開闢新可能性，成為其代表作與重要啟示。