
Bruce Maclaren
Global Head, Chinese Paintings and Calligraphy
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Global Head, Chinese Paintings and Calligraphy
趙瞳 墨梅 水墨紙本 册頁十開 一八九一年作
Provenance/來源:
Shanghai Duoyunxuan, 19 November 1995, lot 97
上海朵雲軒,1995年11月19日,拍品編號97
Published/出版:
Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-044, pp. 198-199
戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大學出版會,東京,2013年,A50-044,頁198-199
Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the Thunder and the Rain: Chinese Paintings from the Opium War Through the Cultural Revolution, 1840-1979, San Francisco: Echo Rock Ventures, in association with the Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, 2000, pp. 85-87
Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物館,李鐘文亞洲藝術文化中心,舊金山,加州,2000年,頁85-87
Exhibited/展覽:
Between the Thunder and the Rain, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, California, October 25, 2000-January 14, 2001
《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物館,舊金山,加州,2000年10月25日至2001年1月14日
Wondrous Ink, Kalamazoo Institute of the Arts, Kalamazoo, Michigan, August 28-December 5, 2010
《水墨神韻》,卡拉馬祖藝術學院,卡拉馬祖,密歇根州,2010年8月28日至12月5日
Zhao Tong, a late Qing dynasty painter and calligrapher, used the courtesy name Chibo, and was a native of Qiantang (Hangzhou). His seal and clerical scripts are particularly excellent; his flower paintings show vigorousness and sincerity. This album of ink plum blossoms, each leaf accompanied by an inscription in clerical script, demonstrates the strong influence of Jin Nong (1687-1763) on Zhao Tong's art.