
Bruce Maclaren
Global Head, Chinese Paintings and Calligraphy
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Global Head, Chinese Paintings and Calligraphy
任頤、胡遠 猛虎圖 設色紙本 立軸 一八七八年作
Provenance/來源:
Shanghai Duoyunxuan, 31 May 1996, lot 234
上海朵雲軒,1996年5月31日,拍品編號234
Published/出版:
Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-247, p. 223
戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大學出版會,東京,2013年,A50-4247,頁233
Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Academy of Arts, 2007, pp. 268-269
Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年,頁268-269
Exhibited/展覽:
New Songs on Ancient Tunes, Honolulu Art Academy, Honolulu, Hawaii, August 30-October 28, 2007
《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年8月30日至10月28日
The bond between Ren Yi and Hu Yuan has been closely studied by Roberta Wue in Art Worlds Artists, Images and Audiences in Late Nineteenth-Century Shanghai, Hawaii, 2014. Their close relationship is evinced by a number of other collaborative paintings by the two artists including Portrait of Gao Yongzhi beneath a Tree (1871) in the collection of the Shanghai Museum, as well as a portrait of Hu Yuan by Ren Yi Portrait of the Hengyun Mountain Man as a Travelling Beggar (1868) in the collection of the Central Academy of Fine Arts in Beijing.