
Michael Hughes
Vice President and Head of Department
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US$30,000 - US$50,000
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Vice President and Head of Department

Global Head, Chinese Paintings and Calligraphy
齊白石 李鐵拐 設色紙本 扇面裱為立軸
PROVENANCE
Far East Fine Arts, San Francisco, California, March 2000
PUBLISHED
Gallis, Michael and Ma Xinle, Michael Gallis Collection of Chinese Paintings Maike Gailesi Zhongguo hua shoucang: yige Xifang xuezhe de Zhonghua wenhua zhilü, Tianjin Renmin Meishu Chubanshe, 2019, pp.162-163
Erickson, Britta, Craig L. Yee, Jung Ying Tsao, and Jung May Lee Barrett, Modern Ink: The Art of Qi Baishi, Berkeley, The Mozhai Foundation, 2014, plate 5, Cover.
EXHIBITED
The Carved Brush, Calligraphy Painting and Seal Carving By Qi Baishi, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, CA, October 29, 2013-July 13, 2014
來源
舊金山遠東藝術畫廊,2000年3月
出版
馬欣樂主編,《邁克·蓋勒斯中國畫收藏:一個西方學者的中華文化之旅》,天津人民美術出版社,2019年,頁162-163
Erickson, Britta, Craig L. Yee, Jung Ying Tsao, and Jung May Lee Barrett, Modern Ink: The Art of Qi Baishi, Berkeley,The Mozhai Foundation, 2014年, 圖版5
展覽
The Carved Brush, Calligraphy Painting and Seal Carving By Qi Baishi, 亞洲博物館李鐘文眼周藝術文化中心,舊金山,加州,2013年10月29日-2014年7月13日
Although undated, this fan was likely painted by Qi Baishi in his early years. His use of the Azhi seal is one indication and his figural depictions after his seventies are scarce. With a minimum of brushstrokes, Qi Baishi's depiction of the Daoist immortal Li Tieguai recalls the quick expressive approach of the Song and Yuan dynasty Chan Buddhist painters as interpreted by 18th century Yangzhou eccentric artists Jin Nong (1687-1763) and Luo Pin (1733–1799).
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