
Jennifer Wang
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Exhibited:
New Songs on Ancient Tunes, Honolulu Museum of Art, Honolulu, HI, August 30-October 28, 2007
Published:
Teisuke Toda and Hiromitsu Ogawa comp., Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-274, pp.226-227
Little, Stephen, and J. May Lee Barrett, New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Museum of Art, 2007, pp.390-391
Provenance:
Acquired in Beijing in the summer of 2001. Rev. Fabian brought it to Qi Gong a week later, who sealed and inscribed the scroll in his presence.
啟功 擬梅花盦主山水 水墨紙本 手卷 一九四一年作
引首:
筆駕雲濤生。啟功。
款識:
辛巳(1941)孟夏,擬梅花盦主法,元白居士啟功寫於簡靖堂。
題跋:
(一)春山如咲冬如睡,殘臘祁寒寫己難。妙手有功迴大化,生機無盡蘊層巒。縑留美玉脂堪比,墨惜精金秀可餐。歷世名圖看欲飽,河陽幽谷共奇觀。題山水圖一首。啟功。
(二)燈火長廊目一時,畫船笛韻夜行遲。月波蕩漾流歌板,花氣迴環逼酒巵。人跡盡隨紅燭焰,客心常繫綠楊絲。如今西壓橋邊路,添得鏗然杖一枝。舊作一首。啟功。
(三)占斷湖山美,林深偃月堂。行人虛指點,何處賈平章。攬古得句。啟功。
鈐印:啟功之印(三鈐)、元白(三鈐)、生於壬子(三鈐)、啟功(二鈐)、元白(二鈐)、元白居士、啟功、珠申
展覽:
《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物術館,夏威夷,2007年8月30日至10月28日
出版:
戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大學出版會,東京,2013年,A50-274,頁226-227
Little, Stephen, and J. May Lee Barrett, 《古調新歌:費立哲神父珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年,頁390-391
來源:
二〇〇一年夏購於北京。一週後,費立哲神父拜訪啟功,並出示此卷,啟功隨即當面跋詩數首,並鈐印二方於畫心後隔水。