Additional information

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From 28 June 2025, the import into the EU of non-EU property of a certain age (and in some categories above a certain value) is subject to additional requirements. Under the relevant EU Regulation, it is the Buyer's sole responsibility to assess whether any Lot meets the criteria for import into the EU. The refusal of any required Import Licence or Importer Statement, or any delay in obtaining such Licence or Statement shall not give rise to the rescission or cancellation of any Sale, nor allow any delay in making full payment for the Lot.
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28% on the first $50,000 of the hammer price;
27% of the hammer price of amounts in excess of $50,000 up to and including $1,000,000;
21% of the hammer price of amounts in excess of $1,000,000 up to and including $6,000,000;
and 14.5% of the hammer price of any amounts in excess of $6,000,000.
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Oversized Lots
Please note that all lots marked with a W in the catalog are oversized and subject to additional storage and shipping methods. All additional lots purchased with W lots are considered group lots and will be subject to the same terms as W lots.
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The per-lot charges levied by DTD Fine Art Services are as follows (plus any applicable sales tax):
FURNITURE/LARGE OBJECTS
Transfer .................. $75
Daily storage........... $10
Insurance (on Hammer + Premium + tax) 0.3%
SMALL OBJECTS
Transfer ................. $37.50
Daily storage........... $5
Insurance (on Hammer + Premium + tax) 0.3%
Please note property is also subject to a Cross Dock Release Fee ($25 for Smalls and $45 for Furniture and Large Objects) & if charges are paid with a credit card, Door to Door Fine Art Services will charge a 3% Convenience Fee.
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Boston & Marlborough Auctions
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Ф	Item contains or is made of ivory
	Prospective buyers should pay special attention to the "Notice Regarding Regulated Species Materials and CITES Permits" published in the printed catalog. This information is also available by contacting the salesroom.
¤	No Reserve
	Unless indicated by the ¤ symbol next to the lot number (or bearing an explicit statement such as "No Reserve" or "Without Reserve"), which denotes no reserve, all lots in the catalog are subject to a reserve. The reserve is the minimum hammer price that the seller is willing to accept for a lot. This amount is confidential and does not exceed the low estimate value.
W	Oversized Lot
	Lot is oversized or otherwise such that it must be collected from our designated warehouse. Please refer to the Offsite Sold Property Storage section of the Buyer's Guide for details.
Y	Restricted Materials
	Lot has been identified at the time of cataloguing as made of or containing certain restricted plant or animal material such as tortoiseshell, coral, whalebone, Brazilian rosewood or certain types of reptilian or other exotic skins, fur or feathers woods that may be subject to import or export restrictions or may otherwise require the granting of one or more export or import licenses or certificates, or that may be subject to similar restrictions regulating intrastate or interstate transport or trade within the United States at the state or federal level, or may be banned from export or import altogether by some countries. Please refer to paragraph 10 in the Conditions of Sale or to the Specialist Department managing the auction for details.
○	Guaranteed Property/Third Party Irrevocable Bid
	Seller of the lot has been guaranteed a minimum price for its property by Bonhams or by a third party, or jointly by Bonhams and a third party (called third party guarantor). Such guaranteed minimum price may apply only to the lot or on an aggregate basis to all or a portion of the seller's consigned property, which may be offered in one or more auctions. Bonhams and/or any third parties providing a guarantee may benefit financially if the guaranteed property is 9 sold successfully and may incur a financial loss if its sale is not successful. The third party guarantor typically provides an irrevocable written bid on the guaranteed lot prior to the auction at a level that ensures the lot will sell. If there are competing bids at the auction, the third party guarantor may also bid a higher amount than the irrevocable bid submitted. In exchange for sharing or assuming in full this risk, Bonhams may compensate the third party guarantor by paying it a fixed and/or contingent financing fee based on the hammer price achieved. Where the third party guarantor is the successful bidder on the lot, the financing fee for providing the bid may be netted against the full purchase price owing, and in such case Bonhams will report the purchase price net of such financing fee. Third party guarantors are required by Bonhams to disclose their financial interest to anyone whom they are advising in connection with the guaranteed lot.

Fine Furniture, Silver, Decorative Arts and Clocks

Auction highlights

Lot gallery

1338 — Circle of Maerten Boelema de Stomme(Dutch, ?-1664)Still life with roemer, pitcher, nuts and fruit on pewter platters 23 1/2 x 29in (59.6 x 73.5cm)

1339W — A Dutch Baroque walnut marquetry cabinet on stand late 17th/early 18th century

1340¤,○ — A large Continental bronze and metal alloy standing figure of Hercules after Giambologna

1341 — Three similar Dutch Delft polychrome painted Chinoiserie chargersmid-18th century

1342 — Jean-Baptiste Carpeaux, L'ete, 1874

1343W — A large pair of Italian Renaissance style cast and patinated bronze andirons 19th century

1344 — An Austrian enameled and ebonized table cabinet probably Vienna, late 19th century

1345W — A Continental Baroque style carved bone pier mirror late 19th century

1346¤,W — A pair of Louis XIV walnut side chairs Continental, late 17th century

1347 — Follower of Guardi, 19th century Venetian harbor scene

1348W — A George I figured walnut and burl elm kneehole desk first quarter 18th century

1349¤,W — A pair of Continental Rococo silvered and giltwood wall brackets mid-18th century

1350 — Circle of Joseph van Bredael(Antwerp 1688-1739 Paris)View of a bustling fishing town 11 1/8 x 14 1/4in (28.3 x 36.5cm)

1351W — A William & Mary inlaid walnut oysterwood veneered cabinet on later stand cabinet late 17th century

1352 — A Chinese Export Blue Fitzhugh porcelain covered soup tureen and standlate 19th century

1353¤ — An assembled group of fourteen botanical engravings most 19th century

1354W — A Classical style Mediterranean mosaic wall panel

1355W — A Regency style mahogany two-pedestal dining table 20th century

1356 — Manner of Francois Antoine Leon FleuryLandscape with herdsman and cattle on a path 10 1/2 x 12 1/2in (26.8 x 32cm)

1357W — A George III oak mule chest late 18th century

1358¤ — An assembled group of thirteen botanical engravings 18th and 19th century

1359¤ — An assembled group of ten botanical fruit engravings

1360¤,○ — An Italian Baroque patinated bronze sculpture of Il Moro after Bernini, late 17th/early 18th century

1361W — A Kashan carpet Central Persia size approximately 10ft. 3in. x 13ft. 6in.

1362 — An Italian Neoclassical style white marble bust of a young lady with a mantilla circa 1900, apparently unsigned

1363 — John Emms(British, 1843-1912)Rufus 22 x 30in (55.8 x 76.2cm)

1364 — Antoine Étex (French, 1808-1888) Virginie, 1857

1365 — John Emms(British, 1843-1912)Rays 21 3/4 x 29 1/4in (55.2 x 74.3cm)

1366¤ — A group of seven Georgian glass similar flutes or cordials with cotton-twist stems 18th century

1367¤ — A pair of Empire style tôle peinte and gilt bronze floral decorationsfirst half 20th century

1368W — A pair of blue wool felt over-upholstered armchairs desgined by Tino Zervudachi of Mlnaric, Henry and Zervudachi, Paris, late 20th century

1369W — A pair of circular giltwood mirrors designed by Tino Zervudachi of Mlnaric, Henry and Zervudachi, Paris, late 20th century

1370W — A pair of red cut-velvet over-upholstered sofas designed by Tino Zervudachi of Mlnaric, Henry and Zervudachi of Paris, late 20th century

1371W — An assembled group of six framed Zuber et Cie. wallpaper panels mid-19th century

1372 — A set of seven Chinese Export armorial porcelain octagonal plates and a similar armorial plate late 18th century

1373 — A group of English blue and white porcelain various table articles primarily by Worcester, 18th century

1374¤,W — A George II style walnut chest of drawers

1375¤ — Pierre-Joseph Redouté (French-Belgian, 1759-1840) From Les Liliacées, fifteen unframed botanical works

1376¤ — A Davenport porcelain part table service circa 1900

1377W — A George III boxwood lined satinwood banded and penwork decorated mahogany pembroke table late 18th century

1378¤,W — A Northern Italian Rococo style walnut side tablecomposed of antique and later elements

1379¤ — Pierre-Joseph Redouté (French-Belgian, 1759-1840) From Les Liliacées, 28 botanical works in sleeves

1380¤ — A Chinese Export porcelain Rose Medallion punch bowl third quarter 19th century

1381W — A George III inlaid satinwood mahogany and yewwood pembroke table late 18th century

1382¤,W — A Charles II carved and caned mixed woods daybed incorporating antique and later elements

1383W — A Spanish Baroque style parcel-gilt and polychromed mirror

1384 — Georges Wakhevitch(French, 1907-1984)Mrs. Coaxer and Mrs. Tawdry, from The Beggar's Opera 14 1/4 x 10 1/2in (36.2 x 26.7cm)

1385 — A group of eight Chinese Export porcelain various table articles mid-18th century

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Additional information

Auction information

Lot Symbols

Related Departments

Conditions of Sale

1338 —
Circle of Maerten Boelema de Stomme
(Dutch, ?-1664)
Still life with roemer, pitcher, nuts and fruit on pewter platters 23 1/2 x 29in (59.6 x 73.5cm)

1339^W —
A Dutch Baroque walnut marquetry cabinet on stand
late 17th/early 18th century

1340^¤,○ —
A large Continental bronze and metal alloy standing figure of Hercules
after Giambologna

1341 —
Three similar Dutch Delft polychrome painted Chinoiserie chargers
mid-18th century

1342 —
Jean-Baptiste Carpeaux, L'ete, 1874

1343^W —
A large pair of Italian Renaissance style cast and patinated bronze andirons
19th century

1344 —
An Austrian enameled and ebonized table cabinet
probably Vienna, late 19th century

1345^W —
A Continental Baroque style carved bone pier mirror
late 19th century

1346^¤,W —
A pair of Louis XIV walnut side chairs
Continental, late 17th century

1347 —
Follower of Guardi, 19th century
Venetian harbor scene

1348^W —
A George I figured walnut and burl elm kneehole desk
first quarter 18th century

1349^¤,W —
A pair of Continental Rococo silvered and giltwood wall brackets
mid-18th century

1350 —
Circle of Joseph van Bredael
(Antwerp 1688-1739 Paris)
View of a bustling fishing town 11 1/8 x 14 1/4in (28.3 x 36.5cm)

1351^W —
A William & Mary inlaid walnut oysterwood veneered cabinet on later stand
cabinet late 17th century

1352 —
A Chinese Export Blue Fitzhugh porcelain covered soup tureen and stand
late 19th century

1353^¤ —
An assembled group of fourteen botanical engravings
most 19th century

1354^W —
A Classical style Mediterranean mosaic wall panel

1355^W —
A Regency style mahogany two-pedestal dining table
20th century

1356 —
Manner of Francois Antoine Leon Fleury
Landscape with herdsman and cattle on a path 10 1/2 x 12 1/2in (26.8 x 32cm)

1357^W —
A George III oak mule chest
late 18th century

1358^¤ —
An assembled group of thirteen botanical engravings
18th and 19th century

1359^¤ —
An assembled group of ten botanical fruit engravings

1360^¤,○ —
An Italian Baroque patinated bronze sculpture of Il Moro
after Bernini, late 17th/early 18th century

1361^W —
A Kashan carpet
Central Persia size approximately 10ft. 3in. x 13ft. 6in.

1362 —
An Italian Neoclassical style white marble bust of a young lady with a mantilla
circa 1900, apparently unsigned

1363 —
John Emms
(British, 1843-1912)
Rufus 22 x 30in (55.8 x 76.2cm)

1364 —
Antoine Étex (French, 1808-1888)
Virginie, 1857

1365 —
John Emms
(British, 1843-1912)
Rays 21 3/4 x 29 1/4in (55.2 x 74.3cm)

1366^¤ —
A group of seven Georgian glass similar flutes or cordials with cotton-twist stems
18th century

1367^¤ —
A pair of Empire style tôle peinte and gilt bronze floral decorations
first half 20th century

1368^W —
A pair of blue wool felt over-upholstered armchairs
desgined by Tino Zervudachi of Mlnaric, Henry and Zervudachi, Paris, late 20th century

1369^W —
A pair of circular giltwood mirrors
designed by Tino Zervudachi of Mlnaric, Henry and Zervudachi, Paris, late 20th century

1370^W —
A pair of red cut-velvet over-upholstered sofas
designed by Tino Zervudachi of Mlnaric, Henry and Zervudachi of Paris, late 20th century

1371^W —
An assembled group of six framed Zuber et Cie. wallpaper panels
mid-19th century

1372 —
A set of seven Chinese Export armorial porcelain octagonal plates and a similar armorial plate
late 18th century

1373 —
A group of English blue and white porcelain various table articles
primarily by Worcester, 18th century

1374^¤,W —
A George II style walnut chest of drawers

1375^¤ —
Pierre-Joseph Redouté (French-Belgian, 1759-1840)
From Les Liliacées, fifteen unframed botanical works

1376^¤ —
A Davenport porcelain part table service
circa 1900

1377^W —
A George III boxwood lined satinwood banded and penwork decorated mahogany pembroke table
late 18th century

1378^¤,W —
A Northern Italian Rococo style walnut side table
composed of antique and later elements

1379^¤ —
Pierre-Joseph Redouté (French-Belgian, 1759-1840)
From Les Liliacées, 28 botanical works in sleeves

1380^¤ —
A Chinese Export porcelain Rose Medallion punch bowl
third quarter 19th century

1381^W —
A George III inlaid satinwood mahogany and yewwood pembroke table
late 18th century

1382^¤,W —
A Charles II carved and caned mixed woods daybed
incorporating antique and later elements

1383^W —
A Spanish Baroque style parcel-gilt and polychromed mirror

1384 —
Georges Wakhevitch
(French, 1907-1984)
Mrs. Coaxer and Mrs. Tawdry, from The Beggar's Opera 14 1/4 x 10 1/2in (36.2 x 26.7cm)

1385 —
A group of eight Chinese Export porcelain various table articles
mid-18th century