Skip to main content

This auction has ended. View lot details

You may also be interested in

Own a similar item?

Submit your item online for a free auction estimate.

Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 1
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 2
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 3
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 4
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 5
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 6
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 7
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 8
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 9
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 10
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 11
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 12
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 13
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 14
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 15
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 16
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 17
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 18
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 19
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 20
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 21
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 22
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 23
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 24
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 25
Zhang Daqian (1899-1983) Splashed-Ink Autumn Landscape, 1965 image 26
Property from Mr. and Mrs. Hal Louchheim, Palo Alto, California
Lot 7351

Zhang Daqian (1899-1983)
Splashed-Ink Autumn Landscape, 1965

23 June 2015, 10:00 PDT
San Francisco

Sold for US$509,000 inc. premium

Own a similar item?

Submit your item online for a free auction estimate.

How to sell

Looking for a similar item?

Our specialists can help you find a similar item at an auction or via a private sale.

Find your local specialist

Ask about this lot

Zhang Daqian (1899-1983)

Splashed-Ink Autumn Landscape, 1965
Ink and color on gold cardboard, mounted, framed and glazed, at the left inscribed with the title Qiu Shan Xiao Si (Buddhist Temple in Autumn Mountain) and signed Yuan Weng with two artist's seals reading Daqian and yisi (1965), on the verso inscribed di jiu Qiu Shan Xiao Si.
23 1/4 x 17 1/2in (59 x 44.5cm)

Footnotes

Provenance:
Collection of Mr. and Mrs. Hal Louchheim, purchased from Erickson Gallery, Palo Alto, California in the mid-1970s

The present lot is likely one of several splashed-ink landscapes created by Zhang Daqian in 1965 (see Chang Dai-chien in California, San Francisco: San Francisco State University, 1999, catalog 12, pp. 64-65, and Sotheby's Hong Kong, 6 April 2015, lots 1228-1229). Inscribed by the artist with the title Qiu Shan Siao Si, or "Buddhist Temple in Autumn Mountain," this painting's subject is particularly treasured by Zhang - in 1940 Zhang had created an earlier Siu Shan Xiao Si in ink, stating in that inscription that it was painted in homage to the Yuan Master Wang Meng's work of the same title. Throughout his lifetime, Zhang Daqian admired the paintings of Wang Meng (1308-1385). According to the renowned scholar Fu Shen, "...among Yuan dynasty painters, the one most suited to the personality and tendencies of Zhang Daqian was Wang Meng. Zhang liked Wang Meng the best; his collection was richest in works by Wang Meng. Zhang made the strongest effort in studying Wang Meng, and he benefited the most from Wang Meng." (Translated from Fu Shen, Zhang Daqian xue shu lun wen ji, Taipei: National Museum of History, 1994, p. 176.) The present lot shows Zhang Daqian splashing multiple layers of ink and color to create the painting's richness and depth, recalling the dense brushwork and complex composition of Wang Meng's landscapes, making it perhaps the most accomplished of Zhang Daqian's splashed-ink landscapes.

張大千 秋山蕭寺 潑墨潑彩金紙卡 鏡框 一九六五年作

款識: 秋山蕭寺, 爰翁
鈐印: 大千、 乙巳
畫背款識: 第九,秋山蕭寺

來源: 美國北加州藏家勞克漢先生﹑夫人(Mr. and Mrs. Hal Louchheim)所藏,一九七〇年代中期購於北加州帕羅奧圖市(Palo Alto) Erickson畫廊

註:本幅應為張大千於一九六五年所作數幅潑墨潑彩山水的其中之一 (見《張大千在加州——傳統中國畫風的國際化發展》 舊金山:舊金山州立大學,圖12,頁64至65,及香港蘇富比,二〇一五年四月六日,中國書畫拍賣,1228-1229號)。本幅款識為『秋山簫寺』,所寫是畫家異常珍愛之題材。一九四〇年, 大千曾作《秋山簫寺圖》,正是臨仿'元四家'之一王蒙的名作《秋山簫寺圖》。張大千一生酷愛王蒙。援引傅申教授的說法,「在元代畫家中,最適合大千先生性向的是王蒙,他最喜好的是王蒙,收藏最富的是王蒙,功夫下得最深的是王蒙,得益最多的也是王蒙。」(轉錄自傅申,〈王蒙筆力能扛鼎,六百年來有大千:大千與王蒙〉,《張大千學術論文集》,台北:歷史博物館,1994,頁176。)本幅潑墨潑彩叠厚濃密,遠追黄鶴山樵重巒叠嶂﹑繁密秀潤之畫風,實為張大千潑墨山水之佳品。

Additional information

Bid now on these items

A pair of celadon saucer dishes with Jingwei tang zhi hall marks 18th/19th century

TRÈS RARE ET BELLE ASSIETTE EN LAQUE SCULPTÉE Marque et époque Jiajing (1522-1566)