After Marc Chagall (1887-1985) By Charles Sorlier Soleil Couchant, from Nice et la Côte d'Azur Lithograph in colours, 1967, on Arches wove paper, signed and numbered 82/150 in pencil, printed by Mourlot, Paris, with margins, a deckle edge at right, with mount and light-staining, the colours attenuated, otherwise in good overall condition Image 595 x 455mm. (23 3/8 x 17 7/8in.); Sheet 695 x 522mm. (27 3/8 x 20 1/2in.)

Sean Scully (born 1946) Landline Red Aquatint in colours, 2015, on wove paper, signed, dated, titled and numbered 1/30 in pencil, printed by Burnet Editions, New York, with their blindstamp, the full sheet, in very good condition, framedSheet 432 x 560mm. (17 x 22 1/8in.)

Sean Scully (born 1946) Landline Grey Aquatint in colours, 2014, on wove paper, signed, titled and numbered 1/30 in pencil, printed by Burnet Editions, New York, with their blindstamp, the full sheet, in very good condition, framedSheet 560 x 430mm. (22 x 16 7/8in.)

Pablo Picasso (1881-1973) Visage de femme Stamped, marked and numbered Madoura Plein Feu/Edition Picasso/ I 120 /Edition Picasso/ 158/500 /Madoura (underneath)white earthenware ceramic plate with white glaze and black engobe, partially engravedConceived in 1955 and executed in an edition of 500388 x 320mm. (15 1/4 x 12 5/8in.)

ROY LICHTENSTEIN (1923-1997) Bicentennial Print, from America: The Third Century portfolio Lithograph and screenprint in colours, 1975, on wove paper, signed, dated and numbered 137/200 in pencil (there were also 25 artist's proofs), printed by Styria Studio, with their blindstamp, published by APC Editions, New York, very pale mount staining, the yellow slightly attenuated, generally in good conditionSheet 762 x 567mm. (30 x 22 3/8in.)

Pablo Picasso (1881-1973) Hibou noir perché stamped, marked and numbered Edition Picasso/Madoura Plein Feu/Edition Picasso / 6/100 (underneath)terracotta plate, with black engobe, partially engraved Conceived on 7 May 1957 and executed in an edition of 100Diameter 429mm. (16 7/8in.)

Ellsworth Kelly (1923-2015) Green (Vert) from Suite of Twenty-Seven Color Lithographs Lithograph in colours, 1964-65, on Rives BFK wove paper, signed and numbered 'H.C VII/IX', an hors commerce proof aside from the edition of 75, published by Maeght Editeur, Paris, the full sheet, with very pale time staining, in generally good condition, the colours fresh and brightSheet 895 x 601mm. (35 1/4 x 23 5/8in.)

Lucio Fontana (1899-1968) Concetto spaziale Screenprint in yellow, 1968, on rhodoïd with punctured holes, scratch-signed and numbered 54/100, with the accompanying text by Guido Giuffre, published by Il Torcoliere, with their blindstamp, printed by Sergio Tosi, Milan, the full sheet, in very good condition, loose as issued in the original presentation folderSheet 598 x 449mm. (23 1/2 x 17 5/8in.)

Richard Diebenkorn (1922-1993) Halo Aquatint and drypoint, 1978, on Rives wove paper, initialled, dated and numbered 29/35 in pencil, published by Crown Point Press, San Francisco, with their blindstamp, the full sheet, in very good conditionSheet 898 x 660mm. (35 1/4 x 26in.)

Richard Diebenkorn (1922-1993) Blue with Red Woodcut in colours, 1987, on Echizen Kozo Mashi paper, initialled in pencil, dated, and numbered 54/200 (there were also 20 artist's proofs), published by Crown Point Press, San Francisco, with their blindstamp, the full sheet, in overall very good condition, framedSheet 949 x 652mm. (37 3/8 x 25 5/8in.)

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