After Pieter Bruegel the Elder (1525-1569) by Pieter van der Heyden (1530-1572) The Last Judgement Engraving, 1558, on laid paper, a fine impression of the first state (of two), before the address of Mariette, published by Hieronymus Cock, trimmed to or on the platemark left and below, with thread margins elsewhere, with pale time staining, minor repairs, other surface defectsPlate 210 x 290mm. (8 1/4 x 11 3/8in.)

Francisco José de Goya y Lucientes (1746-1828) Los Proverbios The complete set of 18 etchings with aquatint and drypoint, 1824, on laid paper, with watermark José Guarro Catalunya, good impressions from the Sixth Edition (this edition was limited to 50), published by the Real Academia de Nobles Artes de San Fernando, Madrid, 1916, the sheets slightly trimmed, with time-staining and some surface dirt, lacking the title page and original paper cover, loose within a separate black leather coverPlate 245 x 345mm. (9 5/8 x 13 5/8.); Sheet 302 x 408mm. (11 7/8 x 16in.)

OSKAR KOKOSCHKA (1886-1990) Die Träumenden Knaben (The Dreaming Youths) The volume comprising ten lithographs (eight in colours), 1908, on wove paper, signed, dated 1967 and dedicated to Greta in pencil on the front free endpaper, numbered 183 in ink on the justification label, from the second edition of 275 copies, published in 1917 by Kurt Wolff, Leipzig, Germany, the full sheets, with pale time staining, the colours fresh and vibrant, in good overall condition, bound (as issued), with title page, text in German, within the original hessian-covered boards with lithograph in black on the front cover and black slipcaseSheets 240 x 290mm. (9 1/2 x 11 3/8in.); Volume 243 x 298mm. (9 1/2 x 11 3/4in.)

Paul Nash (1889-1946) Mine Crater, Hill 60 Lithograph, 1917, on Antique deluxe laid paper, signed, dated Dec 1917 and numbered 18/25 in pencil, possibly the full sheet, with two skilfully flattened vertical creases along the right edge, other minor repairs, otherwise in good condition, framedImage 350 x 454mm. (13 3/4 x 17 7/8in.); Sheet 460 x 580mm. (18 1/8 x 22 7/8in.)

Sybil Andrews CPE (1898-1992) Day's End Linocut printed in raw sienna, crimson, permanent blue, Chinese blue and ivory black, 1961, on oriental laid tissue, a very good impression, signed and numbered 10/60 in pencil, additionally signed and numbered in pencil in the lower margin, with margins, in good condition, framedBlock 275 x 260mm. (10 3/4 x 10 1/4in.); Sheet 321 x 302mm. (12 5/8 x 11 7/8in.)

Sybil Andrews CPE (1898-1992) Fall of the Leaf Linocut printed in chrome yellow, transparent golden ochre, crimson, viridian and Chinese blue, 1934, on buff oriental laid tissue, a richly inked impression, signed, titled and numbered 41/60 in pencil, with margins, in good condition, framedBlock 362 x 258mm. (14 1/4 x 10 1/8in.); Sheet 403 x 307mm. (15 7/8 x 12 1/8in.)

PIERRE-AUGUSTE RENOIR (1841-1919) Le Chapeau Épinglé, 1ère Planche Drypoint, 1894-95, on laid paper, with watermark MBM, an extremely rare proof before steel-facing, printed with rich burr and subtle plate tone, the full sheet with a deckle edge at right, in good condition; together with a copy of Pierre-Auguste Renoir, L'Oeuvre Gravé et Lithographié, Catalogue raisonné by Loys Delteil (2) Plate 116 x 82mm. (4 1/2 x 3 1/2in.); Sheet 353 x 225mm. (13 7/8 x 8 7/8in.)

Pierre-Auguste Renoir (1841-1919) Le Chapeau Épinglé, 2ème Planche Lithograph in colours, circa 1898, on Arches Ingres laid paper, with watermark MBM, from the edition of 200, printed by Auguste Clot, published by Ambroise Vollard, Paris, the full sheet, with deckle edges on three sides, with mount staining and pale light-staining, the colours very slightly attenuated but still good and fresh, otherwise in good condition, framedImage 605 x 490mm. (23 3/4 x 19 1/4in.); Sheet 905 x 620mm. (25 5/8 x 24 3/8in.)

Edgar Degas (1834-1917) Les Marlous Monotype, circa 1880, on wove paper, very rare, one of only two impressions printed, with the studio ink stamp ATELIER ED. DEGAS verso, with wide margins, in good conditionPlate 123 x 175mm. (4 3/4 x 6 3/4in.); Sheet 208 x 279mm. (8 1/8 x 11in.)

WILLIAM EVAN CHARLES MORGAN (1903-1979) Perseus Engraving, 1929, on cream laid paper, signed, dated, titled and numbered 6/70 in pencil, the full sheet; together with two other engravings, The Source, 1927, signed, dated, titled and numbered 15/50 in pencil; Nymphs Bathing, 1928, signed, dated, titled and numbered 2/83 in pencil, each on laid paper, in good condition (3)Plate 220 x 207mm. (8 5/8 x 8 1/8in.); Sheet 462 x 284mm. (18 1/4 x 11 1/4in.)

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