Xia Lingyi (1797-after 1875) Album of Bamboo, 1832

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Lot 608
Xia Lingyi (1797-after 1875)
Album of Bamboo, 1832

Sold for HK$ 302,500 (US$ 38,884) inc. premium
Xia Lingyi (1797-after 1875)
Album of Bamboo, 1832
Album of twelve double leaves, ink on paper, inscribed and signed by the artist Lucheng nvshi Xia Lingyi, dated renchen (1832), with a total of twenty-four artist's seals reading Lucheng nvshi, Xia shi Lingyi, with twelve leaves of colophons written by a total of forty-one calligraphers.
33 x 52cm (13 x 20½in) each (12)

Footnotes

  • Published
    Toda, Teisuke and Hiromitsu Ogawa comp., Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-014, p.183

    Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Museum of Arts, 2007, pp.174-175

    Exhibited
    New Songs on Ancient Tunes, Honolulu Art Museum, Honolulu, HI, August 30-October 28, 2007

    Provenance
    China Guardian, Fine Classical Chinese Paintings, Beijing, 4 November 2001, lot 448

    夏令儀 仿元人瀟湘煙雨圖 水墨紙本 冊頁十二開 一八三二年作
    竺陳簡、蒯關保、龔大夏、李作賓、湯鉞、金奕淦等四十二家跋

    款識:
    壬辰(1832)秋日,仿元人〈瀟湘煙雨〉十二幀。為蕭卿先生雅正,鹿城女史夏令儀。

    題跋:
    (第一開)(詳詩不錄)〈雨過竹波軒〉,小樵四兄屬題,率以二十八字應之,個園弟竺陳簡。鈐印:臣簡、个珍
    (詳詩不錄)小樵四兄大人正句,弟盧啟宸。鈐印:宸
    (詳詩不錄)道光甲午(1834)立秋前一日,小樵四兄大人雅屬,並希正之,北平小厓弟蒯關保。鈐印:小厓
    (詳詩不錄)小樵四兄屬題,即希郢正,雨人弟水仁膏。鈐印:雨人
    (第二開)(詳詩不錄)題鹿門女史墨竹冊,為小樵四兄疋屬,嘉門弟王日升。鈐印:王日升印、筠皆
    (詳詩不錄)小樵先生屬題鹿門女史畫冊,武林李鼎銘。鈐印:鼎銘
    (詳詩不錄)小樵四兄大人屬題鹿城女史畫竹,鐵峰弟張恕。鈐印:鐵峰
    (詳詩不錄)甲午(1834)冬月十二日,題應小樵四兄先生之屬,即請教正。小槎龔大夏初稁。鈐印:小槎氏
    (第三開)(詳詩不錄)乙未(1835)仲春六日,坐雨竹坡軒。小樵四兄先生出鹿城女史竹冊,命題口占一絕,即請敲正。荔艇弟傅詩草。鈐印:臣詩、笠亭
    (詳詩不錄)題鹿城女史墨竹畫冊,應小樵四兄先生雅囑,即請誨正,夢谿鄭一桂。鈐印:一桂私印、夢豀
    (第四開)(詳詩不錄)小樵先生屬題,鹿城女史畫竹,攜李唐壎益菴甫稁。鈐印:益菴伯子
    (詳詩不錄)小樵耽嗜翰墨,所築竹波香三椽,時而畫梅,時而隸古。雖祁寒暑雨不缀,蓋其所性然也。余自總角來,時過其中,見鹿城女史竹冊,尤為所珍玩,遂率爾口占,以博一咲。憩軒弟騤。鈐印:騤
    (詳詩不錄)調寄〈清平樂〉,乙未(1835)初夏,海陽孫承勲題。鈐印:承勳
    (詳詩不錄)鹿城女史為羽谷先生賢媛,幼承家學,寫竹尤工。小樵四兄同年藏此,令似之,蔚人弟莊炳觀並識。鈐印:莊炳
    (詳詩不錄)小樵先生屬題,鹿城女史畫竹,曹惪馨稿。鈐印:臣、馨
    (詳詩不錄)道光十有五年(1835)春王正月,薄湘甬上。小樵仁兄出此屬題,奉爾應教,殊愧未工也。二山弟陳觀酉。鈐印:仲博
    (詳詩不錄)小樵仁兄所藏鹿城女史畫竹冊,小巖阮訓題。鈐印:訓
    (詳詩不錄)奉題小樵先生所藏鹿城女史畫竹冊,秋泉馮寶彛。鈐印:秋泉、馮寶彛印
    (詳詩不錄)奉題小樵先生所藏鹿城女史墨竹冊,魯水洙拜槀。鈐印:魯水
    (第五開)(詳詩不錄)小樵四兄先生雅正,友竹弟徐汝諤拜題。鈐印:諤、友竹、玉樓
    (詳詩不錄)小樵四兄屬,閬僊弟陳貴卿。鈐印:貴卿、閬仙
    (詳詩不錄)右調〈金縷曲〉,題鹿城女史墨竹冊。即請小樵四兄先生顧誤,小笠孔繼濂填。鈐印:蓮生、一片水天無際四時花鳥同春
    (第六開)(詳詩不錄)乙未(1835)初夏,翁州厲於志題於枕湖舍。鈐印:厲志、駭谷
    (詳詩不錄)丙申(1836)十二月望後二日,獲觀小樵四兄所藏鹿城女史竹冊,率成二十八字,即請改正,醉蕉李作賓呵凍書。鈐印:醉蕉、李作賓印
    (詳詩不錄)小樵四兄屬題,竹臣柴希成。鈐印:柴希成印、竹臣
    (第七開)(詳詩不錄)題鹿城夏令儀女史畫竹,即請小樵四兄先生印可,時乙未(1835)端陽後八日,書於竹波軒。小晶山民張芳初稿。鈐印:小晶、張芳印
    (詳詩不錄)題鹿城女史畫竹,為小樵四兄屬,小磻陳修鼎草。鈐印:修鼎、小磻
    (詳詩不錄)乙未(1835)嘉平立春日,孔生蓮生攜甬上小樵四兄家藏鹿城女史竹冊索題,漫作此里言應之,即囑寄呈郢正。小雲謝瀛賢。鈐印:瀛賢、小雲
    (第八開)(詳詩不錄)小樵四兄以鹿城女士寫竹卷屬題即政從,時乙未(1835)六月荷花生日。就李馮當。鈐印:登、府
    (詳詩不錄)丙申(1836)嘉平月,題鹿城女史寫竹冊,應小樵四兄大人雅屬,即請唫政,小峰弟張珩。鈐印:張珩、小峰
    (詳詩不錄)題鹿城女史竹冊,為小樵四兄先生雅屬,即請郢正,舄喬弟王栻。鈐印:栻印、舄喬
    (第九開)(詳詩不錄)道光乙未(1835)閏六月,應小樵四兄雅屬,甬上八十一老人張烜。鈐印:張烜、琴湖
    (詳詩不錄)小樵四弟屬題鹿城女史竹冊,書此以應,補堂。鈐印:世淵
    (詳詩不錄)題鹿城女史竹冊,以應小樵先生雅屬,杏田陳嘉穂。鈐印:臣穂、杏田氏
    (詳詩不錄)題鹿城女史墨竹卷,為小樵四兄先生雅屬,鏡山李堃。鈐印:李堃
    (第十開)(詳詩不錄)小樵四兄先生以鹿城女史墨竹冊子屬題,率成二律,即請哂正。小竹王引孫初稿。鈐印:王引孫印、小竹
    (第十一開)(詳詩不錄)俚句應小樵四兄大人囑題令儀女史竹冊。午琴弟湜拜稿。鈐印:午琴、丁湜
    (詳詩不錄)丙申(1836)觀蓮節,小樵四兄先生屬題令儀女史竹冊,即此就正。少☐弟阮誥並書。鈐印:阮誥之印、守田
    (詳詩不錄)題鹿城夏令儀女史墨竹,應小樵四兄大人屬。茗生湯鉞未是草。鈐印:☐☐、湯鉞、家住天容洲畔
    (第十二開)(詳詩不錄)〈謁金門〉小令一闕。甲午(1834)臘月,題奉小樵四兄大人正拍,埜橋弟燮倚聲。鈐印:埜橋書畫
    (詳詩不錄)丙申(1836)八月題,小樵仁兄政。吳江葉樹枚溉翁甫,時年六十又九歲。鈐印:葉樹枚、溉翁的筆
    (詳文不錄)右跋鹿城夏令儀女史竹冊,即請小樵四兄正。澹仙金奕淦。鈐印:淦印

    鈐印:鹿城女史(十二鈐)、夏氏令儀(十二鈐)
    藏印:人生行樂耳、小樵珍藏(十一鈐)、高雲共此心、一清足稱讀書香、引以為流觴曲水、松風水月、☐☐☐珠、珠浪齋、墨壇樂室、張琴和古松、吾思古人、蕭卿今號小樵、蕭然絕俗

    出版:
    戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大學出版社,東京,2013年,A50-014,頁183

    Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲牧師珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年,頁174-175

    展覽:
    《古調新歌:費立哲牧師珍藏十九及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年8月30日至10月28日

    來源:
    中國嘉德,北京,《中國古代書畫》,2001年11月4日,拍品編號448

    上款:「蕭卿」應為鄭淳,號蕭卿、小樵、四明山人,室名竹波軒。浙江鎮海人。清嘉道間著名畫家,擅畫梅。道光十八年(1838)刊刻《竹波軒梅冊》(亦作《後梅花喜神譜》)。收錄其所繪梅花圖三十餘幀,并阮元、湯金釗、韓崇、李鼎銘等三十餘家題詠。

    註:湯漱玉、汪遠孫夫婦編纂的《玉台畫史》,刊刻於一八三七,輯合歷代典籍和書畫題跋,收錄女性畫家共計二百三十三人,其中清代畫家五十餘人,而有畫作傳世者,不過陳書、馬荃、惲冰寥寥數人而已。考其緣由,有學者認為明末才女方維儀(1585-1668)的態度頗具代表性。方氏所繪觀音、羅漢像,相貌端莊,筆法精妙,卻因「鄙為末技」而束之高閣。逝前亦曾修書其姪方以智(1611-1671),謂「余《清芬閣集》汝勿漫贈人,余甚不欲人之知也。」
    鹿城女史夏令儀出身書畫世家,而畫史無傳,是否亦因「不炫其才」、「不欲人知」故耶?則此《瀟湘煙雨》冊,或全因贈蕭卿先生,又得其好友仝道四十二家題詠,才免於束之高閣而湮沒不傳,實為萬幸。觀各開構圖,力求新意,皴擦點染,端合法度,而筆底無纖弱之弊,尤令人擊掌。本冊題詠者,與〈竹波軒梅冊〉題詠者亦有重疊,兩冊題詠多在道光甲午丁酉間。汪遠孫弟述孫於〈竹波軒梅冊〉題曰小樵先生「畫竹不成去而畫梅」,或為戲言,但小樵得此冊,遍邀友朋題詠,其對鹿城女史畫竹之欣賞,則不言而喻了。

    茲錄部分題詠者生平如下:
    竺陳簡(1795-1846),字個園,號載文。浙江寧波人。道光二年(1882)浙江鄉試第一名舉人。在福建為官,永安縣知縣。竺氏擅書,工繪畫,尤擅梅花竹石。
    蒯關保,生卒年不詳,安徽合肥人。咸豐元年(1851)任遵義府婺川縣知縣。
    唐壎(1800-1873 後),字益庵,號蘇庵老人,浙江嘉興日。諸生。道光二十年(1840)曾客閩浙總督鄧廷楨幕。道光、同治年間先後寓臺二十載。詩文敏捷,有《蘇庵詩餘》傳世,收錄詞作三百零四首,另有八篇政論文。
Contacts
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
Xia Lingyi (1797-after 1875) Album of Bamboo, 1832
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