Footnotes

• Provenance
  Sold at auction in Dorset, England in 2011.
  Subsequently purchased for their collection by the present owners.
  
  One of the greatest metalworkers of the Meiji era, Katsuyoshi was born in Mimasaka Province (present-day Okayama Prefecture). He received his early training from his father Nakagawa Katsutsugu, but was adopted at age 18 by a local branch of the Shoami, a dynasty of sword-fitting makers active all over Japan, and went on to work for the Ikeda family in Bizen Province. Although he remained in his home district for most of his career, he developed his practice by studying with his older brother Nakagawa Issho, from whom he absorbed something of the style of Issho's teacher, the great Kyoto master Goto Ichijo. With the onset of the Meiji restoration (1867-8) and the Haitorei edict of 1876, which proscribed the traditional samurai privilege of wearing two swords, Katsuyoshi lost his traditional sources of patronage but soon became exceptionally successful at adapting his skills to new kinds of production including tea-ceremony utensils, flower vases such as this example, and incense burners, always in an individual, creative style that remained largely independent of metropolitan artistic convention.
  
  Despite his provincial location, Shoami Katsuyoshi exhibited frequently at major domestic and international expositions, garnering no fewer than 28 awards. His works are featured in several important collections of Meiji era art, including a silver incense-burner in the form of a caparisoned Buddhist elephant in the Khalili Collection, a large group in Kyoto's Kiyomizu Sannenzaka Museum, and an iron hanging flower-vase in the British Museum (inv.no.1969,0210.1, as illustrated here) formed as a gourd entwined with vine, leaves, a bird, insects, and a snake in copper alloys with gold-inlaid details.