lots

Andy Warhol (American, 1928-1987) Liz Offset lithograph in colours, 1964, on wove paper, signed and dated 66 in ink, from the edition of approximately three hundred, printed by Total Colour, published by Leo Castelli Gallery, New York, with margins, laid down, moisture stain in the lower margin with smudging to signature Image 560 x 560mm; Sheet 580 x 575mm.

Salvador Dali (Spanish, 1904-1989) Les Amours Jaunes, Éditions Pierre Belfond, Paris, 1974 The complete set of ten drypoint etchings with gilding, hors-texte, on Japon nacré paper, numbered IV on the justification/title page, each drypoint signed and numbered IV/CC in pencil, from the second edition (there were also 300 sets in Arabic numbers on Arches), the full sheets, loose (as issued), without the text, in very good condition, together with a certificate from the publisher, contained in a red linen-covered portfolio with gilt title Plate 300 x 212mm., Sheet 380 x 280mm. (10)Folio 395 x 300 x 24mm.

Ed Ruscha (American, born 1937) Stranger Lithograph in colours, 1983, on BFK Rives paper, signed, dated and numbered 5/7 in pencil, published by the artist, with the Printmaking Department, University of Houston blindstamp, Texas, the full sheet, in very good conditionImage 559 x 432mm., Sheet 762 x 572mm.

Edward Wadsworth (British, 1889-1949) Mytholmroyd The rare woodcut printed in black and grey, circa 1914, on brown wove paper, signed and dated in pencil, some staining in the margins, otherwise in good conditionBlock 215 x 175mm; Sheet 324 x 225mm.

Edward Wadsworth (British, 1889-1949) Yorkshire Village The rare woodcut printed in steel blue and black, 1914, on Japan paper, signed and dated in pencil, pale mount-staining in the margins, otherwise in good condition Block 197 x 120mm; Sheet 266 x 182mm.

Christopher Richard Wynne Nevinson A.R.A (British, 1889-1946) The Workers Lithograph, 1919, on Japan paper, signed and dated in pencil, from the edition of fifty, with wide margins, two small scuffs with associated ink loss in the upper left subject, otherwise in good condition Image 512 x 350mm; Sheet 622 x 438mm.

Gerald Leslie Brockhurst R.A., R.P., R.E. (British, 1890-1978) Adolescence (Kathleen Nancy Woodward) Etching, 1932, a fine, richly inked impression of the final fifth state, on wove paper, signed in pencil, from the unnumbered edition of 90 (as issued), with margins, in good condition Plate 368 x 267mm., Sheet 457 x 337mm.

James Abbott McNeill Whistler (American, 1834-1903) The Two Ships The rare etching and drypoint, 1875, on cream laid paper with a Britannia watermak, Glasgow's final fifth state, from the edition of thirty published by Messrs Dowdeswell in 1880, annotated No.1 in pencil lower left, with wide margins, faint mount staining and a pale brown stain lower right, otherwise in good condition Plate 207 x 133mm., Sheet 328 x 198mm.

Henri Matisse (French, 1869-1954) Visage légèrement penché vers la gauche Lithograph, 1913, on Japan paper, signed and numbered 42/50 in ink, also with the artist's stamped initials (as issued), the full sheet, in good conditionSheet 505mm x 328mm.

After Henri Matisse (1869-1954) by Jacques Villon (1875-1963) Odalisque sur la Terrasse Aquatint in colours, 1922, on Arches paper, signed in ink by Henri Matisse and numbered 41/200 in pencil (there was also an edition of 20 printed in black), published by Galerie Bernheim-Jeune, Paris, possibly the full sheet, with deckle edges on three sides, some scattered pale brown stains in the margins, otherwise in good condition Plate 485 x 604mm., Sheet 625 x 895mm (unframed)

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