lots

Andy Warhol (American, 1928-1987) Myths: Dracula Screenprint in colours, 1981, on Lenox Museum board, signed and numbered 131/200 in pencil, printed by Rupert Jasen Smith, New York, published by Ronald Feldman Fine Arts Inc., New York, two fine hairline scratches in the lower right subject, otherwise in good conditionSheet 964 x 964mm.

Richard Diebenkorn (American, 1922-1993) Untitled (Club/Spade Group '81-82), from Eight by Eight to Celebrate the Temporary Contemporary Lithograph in colours, 1982-6, on wove paper, signed with intials and dated 'RD 82' in pencil, numbered 186/250 (there were also 43 artist's proofs), published by Gemini G.E.L, Los Angeles, with their blindstamps and ink stamp verso, the full sheet, three horizontal creases in the lower image and margin, otherwise in good conditionImage 965 x 660mm., Sheet 1020 x 685mm.

After Henri Matisse (1869-1954) by Jacques Villon (1875-1963) Odalisque sur la Terrasse Aquatint in colours, 1922, on Arches paper, signed in ink by Henri Matisse and numbered 41/200 in pencil (there was also an edition of 20 printed in black), published by Galerie Bernheim-Jeune, Paris, possibly the full sheet, with deckle edges on three sides, some scattered pale brown stains in the margins, otherwise in good condition Plate 485 x 604mm., Sheet 625 x 895mm (unframed)

Joan Miró (Spanish, 1893-1983) One Plate, from Les Essencies de la Terra Lithograph with hand-colouring, 1968, on Japan nacré paper, signed in pencil, one of eight colour variants with hand-colouring aside from the edition of 100, printed by Mourlot, Paris, published by Poligrafa, Barcelona, the full sheet, in good conditionSheet 495 x 360mm.

Josef Albers (American, 1888-1976) Soft Edge-Hard Edge The complete set of ten unsigned screenprints in colours, 1965, on Mohawk Superfine Bristol paper, numbered 53 in pencil on the justification page, from the edition of 250, published by Ives-Sillman, INc., New Haven, the full sheets, three prints with moisture staining and associated cockling in the lower sheet edge, otherwise in good condition, with the original black linen-covered portfolio box with title and artist's name on the spine and slipcaseSheets 430 x 430mm. (10)Folio 460 x 450mm.

Andy Warhol (American, 1928-1987) Liz Offset lithograph in colours, 1964, on wove paper, signed and dated 66 in ink, from the edition of approximately three hundred, printed by Total Colour, published by Leo Castelli Gallery, New York, with margins, laid down, moisture stain in the lower margin with smudging to signature Image 560 x 560mm; Sheet 580 x 575mm.

Salvador Dali (Spanish, 1904-1989) Les Amours Jaunes, Éditions Pierre Belfond, Paris, 1974 The complete set of ten drypoint etchings with gilding, hors-texte, on Japon nacré paper, numbered IV on the justification/title page, each drypoint signed and numbered IV/CC in pencil, from the second edition (there were also 300 sets in Arabic numbers on Arches), the full sheets, loose (as issued), without the text, in very good condition, together with a certificate from the publisher, contained in a red linen-covered portfolio with gilt title Plate 300 x 212mm., Sheet 380 x 280mm. (10)Folio 395 x 300 x 24mm.

Ed Ruscha (American, born 1937) Stranger Lithograph in colours, 1983, on BFK Rives paper, signed, dated and numbered 5/7 in pencil, published by the artist, with the Printmaking Department, University of Houston blindstamp, Texas, the full sheet, in very good conditionImage 559 x 432mm., Sheet 762 x 572mm.

Edward Wadsworth (British, 1889-1949) Mytholmroyd The rare woodcut printed in black and grey, circa 1914, on brown wove paper, signed and dated in pencil, some staining in the margins, otherwise in good conditionBlock 215 x 175mm; Sheet 324 x 225mm.

Edward Wadsworth (British, 1889-1949) Yorkshire Village The rare woodcut printed in steel blue and black, 1914, on Japan paper, signed and dated in pencil, pale mount-staining in the margins, otherwise in good condition Block 197 x 120mm; Sheet 266 x 182mm.

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