Prints & Multiples

24 Nov 2015, starting at 14:00 GMT .

Auction information

This auction is now finished. If you are interested in consigning in future auctions, please contact the specialist department. If you have queries about lots purchased in this auction, please contact customer services.

Albrecht Dürer (German, 1471-1528) The Prodigal Son Engraving, 1496, a meder f impression, with the vertical wiping scratches on the large pig on the right and the large righthand gable still visible, on laid, with a Bishop's Crest watermark (M39), trimmed to or just inside the plate, 247 x 190mm (9 3/4 x 7 1/2in)(PL)

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Christ at Emmaus: The Larger Plate Etching and drypoint, 1654, a fine impression of New Hollstein's fourth state, with fine hatching below the tablecloth on the right, on the lower right wall and around the feet of the man on the left, on laid, with thread margins, 211 x 160mm (8 1/4 x 6 1/4in)(PL)

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Descent from the Cross: The Second Plate Etching and engraving, 1633, the fifth state (New Hollstein's sixth state) with the address of Justus Danckerts coarsely burnished from the lower margin but still partially visible, laid down, trimmed along the lower platemark or with narrow margins, with signs of wear, 534 x 413mm (21 x 16 1/4in)(PL)(unframed)

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Descent from the Cross by Torchlight Etching and drypoint, 1654, New Hollstein's third state of four, the shadows reworked with diagonal hatching in the upper right corner and horizontal lines added to the shadow to the left of the man carrying Christ, on laid, with narrow margins, 210 x 161mm (8 1/4 x 6 3/8in)(PL)

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Card Player Etching, 1641, a good impression of New Hollstein's first state of five, with an irregular strip of unworked plate along the upper margin, before the scratches on the cheek and hair, on laid, with thread margins, 88 x 82mm (3 7/8 x 3 1/4in)(PL)(unframed)

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Self Portrait in a cap and scarf with the face dark: Bust Etching, 1633, New Hollstein's fourth state of five, with an elongated highlight under the left eye, open cross-hatching above the left eye and the highlight on the nose reduced, on laid, with narrow margins, 132 x 103mm (5 1/8 x 4in)(PL)

Giovanni Battista Piranesi (Italian, 1720-1778) Four Plates from Vedute di Roma 'Colosseum', 1757, first state with the address and price, 438 x 695mm (17 1/4 x 27 1/4in)(PL), 'Title Plate', 1748, third state with the address and price, 400 x 540mm (15 3/4 x 21 1/4in)(PL), 'The So-Called Villa of Maecenas, Tivoli', 1763, first state with etched signature and before numbers, with a Fleur-de-Lys in a double circle, 445 x 665mm (17 1/2 x 26 1/8in)(PL), 'The Entrance to the Villa called 'Sette Bassi', 1766, first or second, with a Fleur-de-Lys in a double circle watermark (H.3), 420 x 600mm (16 1/2 x 23 5/8in)(PL), H.65 first Paris edition, the others contemporary Rome editions, all on thick laid with wide margins 4

Giovanni Battista Piranesi (Italian, 1720-1778) Four Plates from Vedute di Roma 'Temple of Portunus (The Round Tower near S.M.in Cosmedin)', 1758, second state with the address and price, 400 x 600mm (15 3/4 x 23 5/8in)(PL), 'The So-Called Temple of Salus, on the road to Albano', 1763, first state before the additional shading on the brickwork, 406 x 555mm (16 x 21 7/8in)(PL), 'The Baths of Caracalla, Bird's-eye view', 1765, first state before numbers, with Fleur-de-Lys in a double circle watermark (H.3), 420 x 690mm (16 1/2 x 27 1/8in)(PL), 'The So-Called Grotto of Egeria', 1766, first or second, 405 x 685mm (15 7/8 x 26 7/8in)(PL), contemporary Rome Editions, all on thick laid with wide margins 4

Walter Richard Sickert A.R.A. (British, 1860-1942) Ennui (The Large Plate) Etching and engraving, 1914-1915, the third state of six, on F.J. Head & Co. hand-made laid, signed and inscribed 'to Lady Hamilton' and 'An Idyll of Peace' in pencil, with margins, 446 x 327mm (17 1/2 x 11 7/8in) (PL) unframed

Graham Sutherland O.M. (British, 1903-1980) Wood Interior Etching, 1929-30, the second final state, on laid, signed and numbered 28/60 in pencil, printed by the artist, published by Twenty-One Gallery, London, with small margins, 120 x 160mm (4 3/4 x 6 1/4in)(PL)

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Auction information

This auction is now finished. If you are interested in consigning in future auctions, please contact the specialist department. If you have queries about lots purchased in this auction, please contact customer services.

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For all Sales categories, buyer's premium excluding Cars, Motorbikes, Wine, Whisky and Coin & Medal sales, will be as follows:

Buyer's Premium Rates
27.5% on the first £20,000 of the hammer price;
26% of the hammer price of amounts in excess of £20,000 up to and including £700,000;
20% of the hammer price of amounts in excess of £700,000 up to and including £4,500,000;
and 14.5% of the hammer price of any amounts in excess of £4,500,000.

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