Modern & Contemporary Prints

14 Mar 2005, starting at 12:00 GMT .

Auction information

This sale is now finished. If you are interested in consigning in future sales, please contact the specialist department. If you have queries about lots purchased in this sale, please contact customer services.

Emile Verpilleux Tower Bridge Woodcut, 1912, printed in colours, on wove, signed and dated in pencil; apparently in good condition, unexamined out of the frame, 355 x 455mm (14 x 17 3/4in)(B) Together with two other views of London, 3

Edward Wolfe Self Portrait Lithograph, circa 1915, signed and numbered 47/53 in pencil, on wove, unexamined out of the frame; 535 x 420mm (21 x 16 1/2in)(I)

Eric Gill Animals All Woodcut, 1916, on watermarked laid, bearing pencil signature lower right; stuck down onto board, related defects and staining, 14 7/8 x 16 3/8in (378 x 415mm)(B)(unframed)

Ivor Hitchens Still Life Lithograph, circa 1938, printed in colours, on wove, published by Contemporary Lithographs, Ltd.; faint time staining, unexamined out of the frame, 630mm x 470mm (24 3/4in x 18 1/2in)(I)

Reuben Mednikoff Self Portrait Linocut, 1948, on cream japan, signed and dated in pencil, from an unknown edition; apparently in good condition, unexamined out of the frame, 214 x 185mm (8 1/3 x 7 1/4in)(I)

Bryan Wynter Prawn Cocktail Lithograph, 1949, on wove, signed, dated and numbered 3/50 in pencil; faint time staining and foxing, unexamined out of the frame, 210 x 310mm (8 1/4 x 12 1/4in)(I)

Keith Vaughan Boy in a wood Lithograph, circa 1950, printed in colours, on wove, signed in pencil; faint time staining, unexamined out of the frame, 465 x 320mm (18 1/4 x 12 1/2in)(I)

Geoffrey Clarke The Birth of a Flower Etchings, 1951, two from the series, each printed in colours, on wove, each signed, inscribed 'Jan 51' and numbered 8/50 and 11/50 in pencil; faint foxing, 445 x 215mm (17 1/2 x 8 1/2in)(PL) 2 unframed

John Minton Guardsman Lithograph, 1953, printed in colours, on wove, the full sheet published by the Royal College of Art, for the "Coronation Series", signed in pencil; in excellent condition, 425 x 300mm (16 3/4 x 11 3/4in)(I) unframed

Clifford Ellis Ascendant Lithograph, in colours, on wove, signed and dated 1954 in pencil; in good condition, 510 x 290mm (20 x 11 1/2in)(I)

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Auction information

This sale is now finished. If you are interested in consigning in future sales, please contact the specialist department. If you have queries about lots purchased in this sale, please contact customer services.

Buyers' Obligations

ALL BIDDERS MUST AGREE THAT THEY HAVE READ AND UNDERSTOOD BONHAMS' CONDITIONS OF SALE AND AGREE TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER'S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS THE BIDDERS LEGAL RIGHTS.

If you have any complaints or questions about the Conditions of Sale, please contact your nearest customer services team.

Buyers' Premium and Charges

For all Sales categories, buyer's premium excluding Cars, Motorbikes, Wine, Whisky and Coin & Medal sales, will be as follows:

Buyer's Premium Rates
27.5% on the first £20,000 of the hammer price;
26% of the hammer price of amounts in excess of £20,000 up to and including £700,000;
20% of the hammer price of amounts in excess of £700,000 up to and including £4,500,000;
and 14.5% of the hammer price of any amounts in excess of £4,500,000.

VAT at the current rate of 20% will be added to the Buyer's Premium and charges excluding Artists Resale Right.

Payment Notices

For payment information please refer to the sale catalogue.

Shipping Notices

For information and estimates on domestic and international shipping as well as export licences please contact Bonhams Shipping Department.

Lot symbols
Taxable

VAT at the prevailing rate on Hammer Price and Buyer's Premium.

* Import low rate

VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.

Exempt from VAT

Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.

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