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Jasper Francis Cropsey(1823-1900)North Conway, New Hampshire
Sold for US$21,760 inc. premium
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Jelena James
Senior Specialist, Head of Sale

Claire Dettelbach
Cataloguer

Jewel Bernier
Cataloguer
Jasper Francis Cropsey (1823-1900)
indistinctly signed and dated (lower right); identified on a presentation plaque; titled, signed or inscribed, and dated 'North Conway. N.H. / Jasper F. Cropsey / 1871' (in pencil on the reverse)
oil on panel
10 x 14 in. (25.4 x 35.5 cm)
Painted in 1871.
Footnotes
Provenance
Kennedy Galleries, Inc., New York, by 1965.
Thomaston Galleries, Thomaston, Maine, February 22, 2025.
The present private collection (acquired from the previous).
Literature
A.M. Speiser, ed., Jasper Francis Cropsey: Catalogue Raisonné, Works in Oil, Volume One: 1842-1863 (Hastings-on-Hudson, New York: Newington-Cropsey Foundation, 2013), p. 117, no. 1056, NCF 2025, not illustrated.
Catherine H. Campbell with Marcia Schmidt Blaine, New Hampshire Scenery: A Dictionary to Nineteenth-century Artists of New Hampshire Mountain Landscapes (Canaan, NH: Phoenix Publishing for the New Hampshire Historical Society, 1985), p. 44.
N.B.
Jasper Francis Copsey was born to a farmer in Staten Island, New York, and initially trained as an architect before turning exclusively to landscape painting in the 1840s, when he opened a studio in New York. He was a member of the National Academy of Design and a founding member of the American Society of Watercolor Artists. Cropsey painted throughout the U.S., England, France, Switzerland, and Italy, although he specialized in landscapes of the northeastern U.S. and has come to be considered one of the earliest Hudson River School painters. His luminous, carefully arranged works, filled with vivid autumnal colors, have become iconic depictions of the valleys, mountains, and forests of New England and New York. Cropsey's works are held in numerous museums including the National Gallery of Art, the Metropolitan Museum of Art, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston.
























