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MANNER OF KAMEDA BŌSAI 亀田鵬斎 (1752–1826), OKAMOTO RYŪNAN 岡本柳南 (1848–1934), ANDŌ HIROSHIGE 安藤広重 (1797–1858)
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MANNER OF KAMEDA BŌSAI 亀田鵬斎 (1752–1826), OKAMOTO RYŪNAN 岡本柳南 (1848–1934), ANDŌ HIROSHIGE 安藤広重 (1797–1858)
Landscape and Poem
Edo period (1615-1868), late 18th/19th century
Kakejiku (hanging scroll), ink and slight colours on silk in modern silk mounts by Paul Maruyama/Wills: A river gorge with a promontory, retreat, and trees; with an inscription in the distinctive style of Kameda Bōsai and three seals Bōsai, Zenshin, Taihei Suishi; with an inscribed wood storage box dated 1930
Overall: 199 × 46cm (78 3/8 × 18 1/8in); image: 107.5 × 33.2cm (42 3/8 × 13in)
Chinese Landscape
Meiji (1868–1912), Taisho (1912–1936), or Showa (1926–1989) era, late 19th/early 20th century
Yokomono kakejiku (horizontal format hanging scroll), ink and colours on paper in momigami (kneaded paper) mounts: A riverside landscape with distant peaks; signed Ryūnan Rōjin; with a wood tomobako storage box signed by the artist
Overall: 89 × 69.5cm (35 × 27 3/8in); image: 20 × 67cm (7 7/8 × 26 3/8in)
Boat under a Steep Cliff
Edo period (1615-1868), mid-19th century
Sketch, ink and colours on paper mounted on card: A fishing boat rounding a tall pine-clad cliff at Honmoku in Musashi Province, Mount Fuji rising majestically in the background; titled and sealed Hiroshige
25 × 32cm (9 7/8 × 12 1/2in)
(5).
Footnotes
MANNER OF KAMEDA BŌSAI 亀田鵬斎 (1752–1826):
Provenance
Oranda Jin, 's-Hertogenbosch, 2006
OKAMOTO RYŪNAN 岡本柳南 (1848–1934):
Provenance
Oranda Jin, 's-Hertogenbosch, 2005
ANDŌ HIROSHIGE 安藤広重 (1797–1858):
Provenance
Richard Kruml, London, 1987
This may be a preliminary sketch for the woodblock print Musashi Honmoku kaijō (The Sea at Honmoku in Musashi Province), from the series Fuji sanjūrokkei (36 Views of Mount Fuji), published in 1852; compare Museum of Fine Arts, Boston, collections.mfa.org/objects/217582.














