
Anna Burnside
Head of Sale
£1,500 - £2,000

Head of Sale

Head of Department

Director
Provenance
Stephen Hanscombe Collection
Faith and Dewayne Perry Collection
Simon Spero exhibition, 2013, no.7
Literature
Hanscombe, Stephen, Jefferyes Hammett O'Neale, 2010, pp.78-9, no.67
White, Mary, 'Luxury porcelain decoration in London 1750-55: O'Neale and London Ateliers', ECC Trans, Vol.30, 2019, p.38, figs.7, 9 and 10
White, Mary, Eating at the Whites' House, Vol.3, 2022, pp.252-3, fig.a
Mary White notes how the scene on this dish exemplifies O'Neale's ability to impart a sense of communication and movement into the subjects he painted. It bears a remarkable similarity to a pierced oval dish formerly in the Major W H Tapp Collection inscribed '12 O'Neal', illustrated by Mary White, 2019, p.38, figs.6 and 8 and by Stephen Hanscombe, 2010, pp.68-9, no.54, widely regarded as a key documentary piece of O'Neale's work. Both dishes are painted with classical scenes depicting remarkably similar obelisks, and the close similarities in painting styles are discussed on p.39. In his 2013 catalogue, Simon Spero notes how the style in which the figures, horse and the distinctive rock formation are painted are also characteristic of O'Neale's hand, as these features occur in many of his fable subjects. See for example the rock formation on lot 57 in this sale. Two dishes of similar form and size painted in puce with landscapes incorporating classical ruins are illustrated by Stephen Hanscombe, 2010, pp.80-81, nos.68 and 69. Compare also to the octagonal teapot painted in puce by O'Neale, lot 58 in this sale.