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Oliver Messel (British, 1904-1978): A 'Rose' from Der Rosenkavalier, Glyndebourne, 1959 image 1
Oliver Messel (British, 1904-1978): A 'Rose' from Der Rosenkavalier, Glyndebourne, 1959 image 2
Oliver Messel (British, 1904-1978): A 'Rose' from Der Rosenkavalier, Glyndebourne, 1959 image 3
The Roy Astley Collection: Theatrical Designs by Cecil Beaton and Oliver Messel
Lot 73AR

Oliver Messel (British, 1904-1978): A 'Rose' from Der Rosenkavalier, Glyndebourne, 1959

Collections: Including the Roy Astley Collection of Theatrical Designs, and Selected Items from the Estates of Geoffrey Sawyer; Sir Brian Williamson; and Howard Godfrey
20 May – 3 June 2025, 12:00 BST
Online, London, Knightsbridge

Sold for £3,072 inc. premium

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Oliver Messel (British, 1904-1978): A 'Rose' from Der Rosenkavalier, Glyndebourne, 1959

Of silver and gilt thread, the main stem leading to a blooming flower applied with paste gems, displayed in a hinged grained and gilt presentation case, the rose: 20cm wide, 8cm deep, 29cm high (7 1/2in wide, 3in deep, 11in high) the case when flat: 27.5 x 38.5 x 9

Footnotes

A similar version from Der Rosenkavalier can be found in the Glyndebourne archive collections.

The 1959 production of Der Rosenkavalier was the last time that Messel worked with Glyndebourne to design the costumes and sets. The opera by Richard Strauss (1864-1949) was staged in tribute to Carl Ebert who retired that year after 25 years as the director of Glyndebourne.

The silvered rose in the production is a key prop throughout the opera. It is the traditional symbol of engagement, here used to signify the union between Baron Ochs and Sophie, and is used as the catalyst for much of the drama in the opera.

Additional information

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