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A Limoges plaque depicting the Deposition Late 16th/early 17th century, perhaps attributable to the Master of the High Forehead image 1
A Limoges plaque depicting the Deposition Late 16th/early 17th century, perhaps attributable to the Master of the High Forehead image 2
Lot 75

A Limoges plaque depicting the Deposition
Late 16th/early 17th century, perhaps attributable to the Master of the High Forehead

Vernacular Furniture, Naïve Art, and Textiles
23 September – 7 October 2025, 12:00 BST
Online, London, Knightsbridge

Sold for £2,560 inc. premium

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A Limoges plaque depicting the Deposition

Late 16th/early 17th century, perhaps attributable to the Master of the High Forehead
The figure of the Christ supported by the seated figure of the Virgin clad in a blue hooded robe and flanked by St John and Mary Magdelene, within an cusped arched surround supported by turquoise columns and set within a corresponding gilt arched moulded frame with applied twin scrolling foliate ornament, mounted on a later stained wood and red plush display stand,
The panel, 11.5cm high , 8cm wide, the frame, 13cm high, 9.5cm wide, the stand, 18.5cm high, 15.5cm wide, 8cm deep

Footnotes

The thick lines, rounded faces and summary architecture that give the present enamel its late Gothic appearance relates closely to works attributed to the workshop of the Master of the Orléans triptych and the Master of the Large Foreheads (both of whom were active around 1500) A number of enamels in The Walters Art Gallery are attributed to these workshops by Verdier (op. cit.) compared to the present enamel.

Literature
P. Verdier, Catalogue of the painted enamels of the Renaissance, cat. Walters Art Gallery, Baltimore, 1967, pp. 31-33, 36-39, 42-43, nos. 20, 22 and 24

Additional information

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