
Oliver Cornish
Sale Coordinator for Furniture, Sculpture, Rugs & Tapestries
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£3,000 - £4,000
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Sale Coordinator for Furniture, Sculpture, Rugs & Tapestries
The thick lines, rounded faces and summary architecture that give the present enamel its late Gothic appearance relate closely to works attributed to the workshop of the Master of the Orléans triptych and the Master of the Large Foreheads which were both active around 1500. A number of enamels in The Walters Art Gallery attributed to these workshops by Verdier (op. cit.) compare to the present enamel.
Literature
P. Verdier, Catalogue of the painted enamels of the Renaissance, cat. Walters Art Gallery, Baltimore, 1967, pp. 31-33, 36-39, 42-43, nos. 20, 22 and 24
Please note that this Limoges plaque is late 15th / early 16th century.