This auction has ended. View lot details
You may also be interested in
The Late Bill Evans Collection, Sydney
Lot 73
Maker UnknownA shield, Luzon, Kalinga Province, Philippinesearly 20th century height: 88.0cm
27 August 2025, 14:00 AEST
SydneyAU$2,000 - AU$4,000
Looking for a similar item?
Our Australian Art specialists can help you find a similar item at an auction or via a private sale.
Find your local specialistAsk about this lot
Alex Clark
Head of Sale, Senior Specialist
Merryn Schriever
Managing Director, Australia
Maker Unknown, A shield, Luzon, Kalinga Province, Philippines
early 20th century
wood with pigments and fibre
height: 88.0cm
wood with pigments and fibre
height: 88.0cm
Footnotes
PROVENANCE
Reputedly from a private collection, Massachusetts, acquired prior to 1939
Reputedly in a public collection, Massachusetts
Private collection, United States of America
Collection of the Late Bill Evans, Sydney, acquired from the above in 2016
LITERATURE
Bill Evans, War Art & Ritual: Shields of the Pacific, Sydney, 2019, p. 205, Shield 60 (illus.)
Comparable examples are held in the collections of The Metropolitan Museum, New York, the Brooklyn Museum, New York, and the Art Gallery of New South Wales, Sydney. The Art Gallery of New South Wales research which accompanies their example reads:
'The mountainous region of Central Cordillera in northern Luzon is home to a large number of indigenous communities. Their fierce self-determination and geographic isolation provided relative protection from the cultural influences of Spanish colonisation. However, their art did not remain unchanged. Communities retained forms which were useful and meaningful, abandoned others and created new forms to meet new purposes – a tradition that has continued into 21st century.
In Central Cordillera art is part of everyday life and is intrinsically linked to community and spiritual wellbeing. Many villages are built around a central stone platform where social and spiritual rites are performed. These include the worship of deities and ancestors and the consecration of sculptural figures.
The carving of ancestral and religious figures, while today most prevalent among Ifugao men, was previously a practice shared by all communities of the Central Cordilleran mountain range. Textiles, on the other hand, are woven exclusively by women using backstrap looms. There has been a long and active trade in locally woven products, so many communities share techniques and an appreciation for similar motifs and colour schemes.
This long rectangular shield with protruding parts at the top and bottom imitates the form of a man with his arms raised. It is one of the best-known shield types shared among the Bontoc, Kalinga and Tinguian people. A carved outline and the concave shape of the shield – designed to provide optimum protection for the user's body – gives further form to the sculptural figure. The single line of rattan lashed horizontally across the shield to prevent splitting adds further decoration.'