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Emily Kame Kngwarreye(1910-1996)Merne Atherrke, 1993
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Alex Clark
Head of Sale, Senior Specialist

Merryn Schriever
Managing Director, Australia
Emily Kame Kngwarreye (1910-1996)
inscribed verso with artist's name and Delmore Gallery cat. 93B139
synthetic polymer paint on canvas
121.0 x 91.0cm (47 5/8 x 35 13/16in).
Footnotes
PROVENANCE
Delmore Gallery, Northern Territory
Bonhams, Aboriginal Art: The Thomas Vroom Collection, 6 September 2015, lot 50
Private collection, Melbourne
EXHIBITED
Schittering/Brilliance, AAMU - Museum for Contemporary Aboriginal Art, Utrecht, The Netherlands, 12 October 2007 – 23 March 2008
This painting is accompanied by documentation from Delmore Gallery which reads:
'This stunning work has a mix of differing colours that distinguish between the ripe, the not so ripe, and the overripe fruits and flowers of the water-course rangeland of Emily's traditional country called Alalgura. The dot-work is randomly directioned and completely covers the tracking lines of her story. From an aerial point of view, it also shows the watershed from higher country collecting water that forms the soakage at Alalgura.
The artist, Emily Kngwarreye, is a fully ritual Aboriginal woman of approximately 80 years of age, producing amazing works of a modern abstractionist style, whilst keeping true to her country. Each work brings an enthusiastic verbal patter about her place, Alalgura, and the various bush tucker species that rouse her passion. Her palette is always an interesting one.
The dramatic transformation of the desert from bare to abundant is a display of the desert's power. Linked into this is the women's ceremonial life called "awelye", that is based on the belief that they help nurture the desert food and human sources by assuring future fertile generations.
The title translates as "food" (generic), "green or fresh".'
























