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112 — Jimmy Angunguna (born circa 1935) Wangarra Spirits, 2002 height: 138.0cm (54 5/16in). and 190.0cm (74 13/16in).

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Lot 14

William Kentridge
(South African, born 1955)
Head (Orange), 1993 103.0 x 79.2cm (40 1/2 x 31 1/4in) image
120.5 x 91.7cm (47 3/8 x 36 1/8in) sheet

Important Australian Art

26 August 2025, 18:00 AEST

Sydney

Sold for AU$43,050 inc. premium

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William Kentridge (South African, born 1955)

Head (Orange), 1993
published by David Krut Fine Art, London
printed by 107 Workshop, Wiltshire (Krut p. 46)
drypoint with hand-colouring on wove paper
edition of fifteen
103.0 x 79.2cm (40 1/2 x 31 1/4in) image
120.5 x 91.7cm (47 3/8 x 36 1/8in) sheet

Footnotes

PROVENANCE
Roslyn Oxley9 Gallery, Sydney
Private collection, Canberra

LITERATURE
Kendell Geers, Contemporary South African Art - The Gencor Collection, Johannesburg, 1997, front cover (illus., another impression)
Bronwyn Law-Viljoen, William Kentridge Prints, Johannesburg, 2006, p. 46 (illus., another impression)
Bronwyn Law-Viljoen, Art and Justice: The art of the Constitutional Court of South Africa, Johannesburg, 2008, p. 139 (illus., another impression)

Beginning in 1992, William Kentridge produced a series of monumental drypoint prints of a head, with hand painting and torn shards created from varying templates, allowing for incarnations in Orange (editioned 1993), Blue (editioned 1993-8) and Green (1992), though the latter were never editioned. These Heads were printed by master printer Jack Shirreff, assisted by Andrew Smith, at the 107 Workshop in Wiltshire, and published by David Krut Fine Art, London.

As Erik Denker details, what makes Kentridge's prints unique is the 'great variety occurs in what would normally be uniform editions. In a medium known for its often virtually identical multiple originals, he constantly experiments during the printing with changing the marks on the surface, the inking, and the addition of wash and hand-colouring'.

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