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Laurence Stephen Lowry R.A. (British, 1887-1976) Going to the Match Offset lithograph in colours, 1972, on wove paper, signed in pencil, from the edition of 300, printed by Max Jaffé, Vienna, published by the Medici Society, London, with the Fine Art Trade Guild blindstamp, with full margins, framedImage 531 x 686mm (20 7/8 x 27in)Sheet 643 x 786mm (25 1/4 x 30 7/8in)

£25,000 - £35,000

Coming soon

Léonard Tsuguharu Foujita (Japanese/French, 1886-1968) Fillette au chat Lithograph, 1927, on Japon paper, signed and numbered X 10/10 in blck ink, one of ten proofs aside from the edition of 50, published by Éditions Artistiques Apollo, Paris, with margins, framedImage 300 x 240mm (11 7/8 x 9 1/2in)Sheet 570 x 450mm (22 1/2 x 17 3/4in)

£1,500 - £2,000

Coming soon

The Connor Brothers (British, born 1968) We Are All in the Gutter, from Pulp Fiction Giclée print in colours with screenprint varnish, 2017, on Somerset wove paper, signed, dated and inscribed 'AP' in pencil, an artists' proof aside from the edition of 50, printed by Jealous Studio, published by the artists, London, with full margins, unframedSheet 415 x 290mm (16 3/8 x 11 3/8in)

£600 - £800

Coming soon

David Shrigley (British, born 1968) Leap into the void Screenprint in colours, 2023, on Somerset wove paper, signed with the initials, dated and numbered 9/125 in pencil verso, printed and published by Jealous Gallery & Print Studio, London, the full sheetSheet 550 x 550mm (21 5/8 x 21 5/8in)

£800 - £1,200

Coming soon

John Piper C.H. (British, 1903-1992) Gaddesby, Leicestershire: medieval stonework, Plate III from A Retrospect of Churches Lithograph in colours, 1964, on wove paper, signed and numbered 5/70 in pencil (there were also five copies maked 'A-E'), printed by Curwen Studio, published by Marlborough Fine Art, London, with full margins, framedImage 672 x 472mm (26 7/16 x 18 9/16in)Sheet 820 x 595mm (32 1/4 x 23 3/8in)

£500 - £700

Coming soon

Louis Marcoussis (Polish/French, 1878-1941) Viareggio Drypoint, 1926, on Ingres d'Arches MBM wove paper, a very good impression of the second (final) state, printing with rich burr and a strong plate tone, signed and numbered 48/50 in pencil (there were also a few artist's proofs), published by Jeanne Bucher, Paris, the full sheet, framedPlate 278 x 217mm (11 x 10 7/8in)Sheet 505 x 330mm (19 7/8 x 13in)

£1,000 - £1,500

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Henry Moore O.M., C.H. (British, 1898-1986) Trees The complete portfolio, 1979, comprising six etchings, with title and justification pages, on Arches wove paper, each signed, inscribed with the respective plate number and numbered 10/50 in pencil, printed by James Collyer and Jim Crossley, with their blindstamp, published by Raymond Spencer Company Ltd. for the Henry Moore Foundation, Much Hadham, the full sheets, loose (as issued), within individual wrappers and the original brown silk covered portfolio with gold letteringSheet 540 x 447mm (21 1/4 x 21 1/4in)(6)Folio 560 x 465 x 25mm (22 x 18 1/4 x 1in) image 1

Property from an Important Private Collector, UK.

Lot 77^AR

Henry Moore O.M., C.H.
(British, 1898-1986)
Trees

Prints & Multiples: featuring an Important Collection of Works by Henry Moore

27 June – 9 July 2025, 13:00 BST

Online, London, Knightsbridge

£2,000 - £3,000

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Henry Moore O.M., C.H. (British, 1898-1986)

Trees (Cramer 547-552)
The complete portfolio, 1979, comprising six etchings, with title and justification pages, on Arches wove paper, each signed, inscribed with the respective plate number and numbered 10/50 in pencil, printed by James Collyer and Jim Crossley, with their blindstamp, published by Raymond Spencer Company Ltd. for the Henry Moore Foundation, Much Hadham, the full sheets, loose (as issued), within individual wrappers and the original brown silk covered portfolio with gold lettering

Sheet 540 x 447mm (21 1/4 x 21 1/4in)(6)
Folio 560 x 465 x 25mm (22 x 18 1/4 x 1in)

Footnotes

Provenance
An Important Private Collection, UK.

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