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Laurence Stephen Lowry R.A. (British, 1887-1976) Going to the Match Offset lithograph in colours, 1972, on wove paper, signed in pencil, from the edition of 300, printed by Max Jaffé, Vienna, published by the Medici Society, London, with the Fine Art Trade Guild blindstamp, with full margins, framedImage 531 x 686mm (20 7/8 x 27in)Sheet 643 x 786mm (25 1/4 x 30 7/8in)

£25,000 - £35,000

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Léonard Tsuguharu Foujita (Japanese/French, 1886-1968) Fillette au chat Lithograph, 1927, on Japon paper, signed and numbered X 10/10 in blck ink, one of ten proofs aside from the edition of 50, published by Éditions Artistiques Apollo, Paris, with margins, framedImage 300 x 240mm (11 7/8 x 9 1/2in)Sheet 570 x 450mm (22 1/2 x 17 3/4in)

£1,500 - £2,000

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The Connor Brothers (British, born 1968) We Are All in the Gutter, from Pulp Fiction Giclée print in colours with screenprint varnish, 2017, on Somerset wove paper, signed, dated and inscribed 'AP' in pencil, an artists' proof aside from the edition of 50, printed by Jealous Studio, published by the artists, London, with full margins, unframedSheet 415 x 290mm (16 3/8 x 11 3/8in)

£600 - £800

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David Shrigley (British, born 1968) Leap into the void Screenprint in colours, 2023, on Somerset wove paper, signed with the initials, dated and numbered 9/125 in pencil verso, printed and published by Jealous Gallery & Print Studio, London, the full sheetSheet 550 x 550mm (21 5/8 x 21 5/8in)

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John Piper C.H. (British, 1903-1992) Gaddesby, Leicestershire: medieval stonework, Plate III from A Retrospect of Churches Lithograph in colours, 1964, on wove paper, signed and numbered 5/70 in pencil (there were also five copies maked 'A-E'), printed by Curwen Studio, published by Marlborough Fine Art, London, with full margins, framedImage 672 x 472mm (26 7/16 x 18 9/16in)Sheet 820 x 595mm (32 1/4 x 23 3/8in)

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Louis Marcoussis (Polish/French, 1878-1941) Viareggio Drypoint, 1926, on Ingres d'Arches MBM wove paper, a very good impression of the second (final) state, printing with rich burr and a strong plate tone, signed and numbered 48/50 in pencil (there were also a few artist's proofs), published by Jeanne Bucher, Paris, the full sheet, framedPlate 278 x 217mm (11 x 10 7/8in)Sheet 505 x 330mm (19 7/8 x 13in)

£1,000 - £1,500

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Dame Paula Rego R.A. (British, 1935-2022) Death Goes Shopping Two etchings with aquatint in colours, 2010, on Somerset wove paper, unique stage proofs produced in preparation for the numbered edition of 35, each signed in pencil, printed by Paupers Press, published by Enitharmon Editions, London, the full sheets, framedPlate 297 x 397mm (11 3/4 x 15 5/8in)(2)Sheet 357 x 457mm (14 x 18in)(2) image 1

Lot 179

Dame Paula Rego R.A.
(British, 1935-2022)
Death Goes Shopping

Amended

Prints & Multiples: featuring an Important Collection of Works by Henry Moore

27 June – 9 July 2025, 13:00 BST

Online, London, Knightsbridge

Sold for £1,792 inc. premium

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Dame Paula Rego R.A. (British, 1935-2022)

Death Goes Shopping (Rosenthal 277)
Two etchings with aquatint in colours, 2010, on Somerset wove paper, unique stage proofs produced in preparation for the numbered edition of 35, each signed in pencil, printed by Paupers Press, published by Enitharmon Editions, London, the full sheets, framed

Plate 297 x 397mm (11 3/4 x 15 5/8in)(2)
Sheet 357 x 457mm (14 x 18in)(2)

Footnotes

Dame Paula Rego was invited by Enitharmon Editions as one of the five selected artists to contribute to the deluxe portfolio 'I Have Found a Song', commissioned by the Arts Council England in 2010 to mark the bicentenary of the abolition of the Slave Trade Act.

"Death Goes Shopping is an etching telling a story that I dreamt up. I drew everything from a set that I made. I had been to see an exhibition in Antwerp, and there they have the most beautiful lace dresses you can imagine. I bought a lot of them. It struck me that they were like little bridal gowns, and when I got back to my studio in London I made some dolls and put the dresses on them. I made up a story that they were kept in chains and that they were going to be sold: marketed and loaded onto a cart, like chickens, by a nasty woman representing Death".
— Dame Paula Rego

Each of these stage proofs is unique. They show graphically the printmaking process from beginning to end, each stage showing a new development in etching and inking, with the additional application of aquatint and spit-bite. For this print Paula Rego worked intensively at Paupers Press in London with the master printmaker Simon Marsh. Each of the stage proofs has been signed.
— Enitharmon Editions, London

Saleroom notices

ARR not applicable.

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