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Lot offered by Bukowskis, part of the Bonhams network

Laurence Stephen Lowry R.A. (British, 1887-1976) Going to the Match Offset lithograph in colours, 1972, on wove paper, signed in pencil, from the edition of 300, printed by Max Jaffé, Vienna, published by the Medici Society, London, with the Fine Art Trade Guild blindstamp, with full margins, framedImage 531 x 686mm (20 7/8 x 27in)Sheet 643 x 786mm (25 1/4 x 30 7/8in)

£25,000 - £35,000

Coming soon

Léonard Tsuguharu Foujita (Japanese/French, 1886-1968) Fillette au chat Lithograph, 1927, on Japon paper, signed and numbered X 10/10 in blck ink, one of ten proofs aside from the edition of 50, published by Éditions Artistiques Apollo, Paris, with margins, framedImage 300 x 240mm (11 7/8 x 9 1/2in)Sheet 570 x 450mm (22 1/2 x 17 3/4in)

£1,500 - £2,000

Coming soon

The Connor Brothers (British, born 1968) We Are All in the Gutter, from Pulp Fiction Giclée print in colours with screenprint varnish, 2017, on Somerset wove paper, signed, dated and inscribed 'AP' in pencil, an artists' proof aside from the edition of 50, printed by Jealous Studio, published by the artists, London, with full margins, unframedSheet 415 x 290mm (16 3/8 x 11 3/8in)

£600 - £800

Coming soon

David Shrigley (British, born 1968) Leap into the void Screenprint in colours, 2023, on Somerset wove paper, signed with the initials, dated and numbered 9/125 in pencil verso, printed and published by Jealous Gallery & Print Studio, London, the full sheetSheet 550 x 550mm (21 5/8 x 21 5/8in)

£800 - £1,200

Coming soon

John Piper C.H. (British, 1903-1992) Gaddesby, Leicestershire: medieval stonework, Plate III from A Retrospect of Churches Lithograph in colours, 1964, on wove paper, signed and numbered 5/70 in pencil (there were also five copies maked 'A-E'), printed by Curwen Studio, published by Marlborough Fine Art, London, with full margins, framedImage 672 x 472mm (26 7/16 x 18 9/16in)Sheet 820 x 595mm (32 1/4 x 23 3/8in)

£500 - £700

Coming soon

Louis Marcoussis (Polish/French, 1878-1941) Viareggio Drypoint, 1926, on Ingres d'Arches MBM wove paper, a very good impression of the second (final) state, printing with rich burr and a strong plate tone, signed and numbered 48/50 in pencil (there were also a few artist's proofs), published by Jeanne Bucher, Paris, the full sheet, framedPlate 278 x 217mm (11 x 10 7/8in)Sheet 505 x 330mm (19 7/8 x 13in)

£1,000 - £1,500

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Frederick Landseer Maur Griggs (British, 1876-1938) Owlpen Manor; Memory of Clavering; Netherton Chapel Three etchings, 1930-35, one on laid paper, the others on wove paper, each signed in pencil, AC 51 the third state (of four), the others final states of three and five, respectively, each with margins, framedPlate 193 x 240mm (7 5/8 x 9 3/8in)(and smaller)(3) image 1

Lot 12

Frederick Landseer Maur Griggs
(British, 1876-1938)
Owlpen Manor; Memory of Clavering; Netherton Chapel

Prints & Multiples: featuring an Important Collection of Works by Henry Moore

27 June – 9 July 2025, 13:00 BST

Online, London, Knightsbridge

Sold for £4,352 inc. premium

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Frederick Landseer Maur Griggs (British, 1876-1938)

Owlpen Manor; Memory of Clavering; Netherton Chapel (Adams Comstock 46, 51, 53)
Three etchings, 1930-35, one on laid paper, the others on wove paper, each signed in pencil, AC 51 the third state (of four), the others final states of three and five, respectively, each with margins, framed

Plate 193 x 240mm (7 5/8 x 9 3/8in)(and smaller)(3)

Footnotes

Provenance
Former collection of the late Arthur Basil Fairclough, Chipping Campden, two with collector's label verso.
Thence by descent to the present owner.

Basil Fairclough and his wife Elisabeth were neighbours and close family friends with Frederick Griggs and his wife Nina, all living on the High Street in Chipping Campden during the 1930s up until 1945.

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