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Important Chinese Ceramics and Works of Art

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A FINE BLUE AND WHITE 'FLORAL MEDALLION' SMALL BOWL Yongzheng six-character mark and of the period image 1

A FINE BLUE AND WHITE 'FLORAL MEDALLION' SMALL BOWL Yongzheng six-character mark and of the period image 2

A FINE BLUE AND WHITE 'FLORAL MEDALLION' SMALL BOWL Yongzheng six-character mark and of the period image 3

A FINE BLUE AND WHITE 'FLORAL MEDALLION' SMALL BOWL Yongzheng six-character mark and of the period image 4

PROPERTY FROM THE COLLECTION OF QIAN HUI SHU SHE

Lot 30

A FINE BLUE AND WHITE 'FLORAL MEDALLION' SMALL BOWL
Yongzheng six-character mark and of the period

15 September 2025, 09:00 EDT

New York

Sold for US$114,800 inc. premium

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A FINE BLUE AND WHITE 'FLORAL MEDALLION' SMALL BOWL

Yongzheng six-character mark and of the period
The delicately potted bowl rising from a circular foot banded with double rings repeated on the lip and interior setting off four exquisitely rendered floral medallions repeated in the interior deep-set well, the six-character mark enclosed by a double ring in the recessed base.
4 1/2in (11cm) diam; 2 1/2in (6cm) high; box

Footnotes

清雍正《大清雍正年製》雙圈楷書款青花團花紋小碗

Provenance
Hong Kong Private Collection
Christie's Hong Kong, 29 November 2017, lot 3008

來源：
香港私人收藏
香港佳士得，2017 年 11 月 29 日，拍品編號 3008

The decorative motif of floral medallions (tuanhuawen, 團花紋) originated in the Sui dynasty and appeared frequently as molded ceramics designs. Its application on porcelain gained prominence during the Chenghua reign, often rendered in symmetrical compositions featuring stylized blooms such as lotus (tuanlian) and chrysanthemum (tuanju). These designs are celebrated for their meticulous brushwork, refined composition, and soft, subdued blue tones.

The present bowl, with its finely painted floral medallions in pale cobalt blue, echoes this tradition and may represent a deliberate homage to the refined aesthetic of Chenghua blue-and-white wares. Porcelain from the Yongzheng period, likewise, is noted for its elegance and restraint—qualities that stand in contrast to the more robust and dynamic styles of the preceding Kangxi reign. In both brushwork and tonal subtlety, Yongzheng blue-and-white wares share affinity with the delicacy of Chenghua examples, underscoring a revivalist impulse rooted in imperial appreciation for earlier ceramic traditions.

Yongzheng bowls of this design were made in similar shapes with shorter sides and recessed bases, such as one example sold at Christie's London, 9 November 2004, lot 160; and another sold at Sotheby's Hong Kong, 8 October 2010, lot 2774. Compare also a smaller bowl with the design, preserved at the Palace Museum, Beijing, coll. no. 故00149578.

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