
This auction has ended. View lot details
You may also be interested in
BACON (FRANCIS) Autograph letter signed to "Getty Museum Group" concerning Peter Beard, 3 pages, undated
£4,000 - £6,000
Looking for a similar item?
Our Books & Manuscripts specialists can help you find a similar item at an auction or via a private sale.
Find your local specialistAsk about this lot

BACON (FRANCIS)
Footnotes
"I THINK IT IS NOW A TIME TO REDEFINE PHOTOGRAPHY IN RELATION TO OUR EXISTENCE - I BELIEVE PETER BEARD'S WORKS ARE ESPECIALLY IMPORTANT..." - Francis Bacon writes to the Getty Foundation in support of Peter Beard (1938-2020).
"Peter Pan, Lord Byron, Tarzan, Casanova, Saint-Exupéry's Petit Prince, Ernest Hemingway: All have been invoked to describe Beard... he was a participatory artist, using his own blood sometimes, a touch of the visceral that linked him to his hero and friend the Irish painter Francis Bacon" (Stacey Stowe, 'The Legend of Peter Beard', in Vanity Fair, 20 Sept. 2020). Bacon first met Beard in the 1960s, striking up an immediate friendship which lasted for the rest of their lives. Bacon painted nine portraits of Beard, and on his death some 200 of Beard's photographs were found in Bacon's studio.
The letter was written by Bacon at the request of Beard, who was looking to getting funding from the Getty Foundation for his "Computer Dissolve" project. Beard asked his then partner Marella Oppenheim to visit Bacon at his Reece Mews studio, close to her home in Bolton Gardens. She remembers that after Bacon wrote the letter, "he went to the fridge and popped open a bottle of champagne which we drank over a few hours whilst discussing art, the honours list and criminals". Marella then faxed a copy to Peter in New York, keeping the original. Later, Bacon had his gallery draw up an official letter along the same lines to the Getty Foundation.
Provenance: Marella Oppenheim, who was present when the letter was written. Oppenheim was throughout 1984 in a relationship with Beard, accompanying him in on a journey to Arles to trace Van Gogh's footsteps, and staying with him in Paris and Cassis. One of her portrait photographs of Beard was used as the cover image to Graham Boynton's Wild: The Life of Peter Beard: Photographer, Adventurer, Lover, 2022.

![ARCHITECTURE - ST PAUL'S CATHEDRAL Manuscript planning brief for work under the supervision of Inigo Jones, [c.1631]](/_next/image.jpg?url=https%3A%2F%2Fimg1.bonhams.com%2Fimage%3Fsrc%3DImages%252Flive%252F2025-10%252F16%252F25762965-1-1.jpg%26width%3D650&w=2400&q=75)
![ADVERTISING POSTERfor 'The Suffragette' newspaper, [c.1913-1914]](/_next/image.jpg?url=https%3A%2F%2Fimg1.bonhams.com%2Fimage%3Fsrc%3DImages%252Flive%252F2025-06%252F25%252F25680656-116-1.jpg%26width%3D650&w=2400&q=75)

![ILLUMINATED ADDRESS – CLARA CODD Illuminated printed address signed by Emmeline Pankhurst, [1909]](/_next/image.jpg?url=https%3A%2F%2Fimg1.bonhams.com%2Fimage%3Fsrc%3DImages%252Flive%252F2025-06%252F25%252F25680656-32-1.jpg%26width%3D650&w=2400&q=75)

![MUSIC & RECORDINGS – ETHEL SMYTH Collection of printed music, song sheets and records, [c.1911-1912]](/_next/image.jpg?url=https%3A%2F%2Fimg1.bonhams.com%2Fimage%3Fsrc%3DImages%252Flive%252F2025-10%252F09%252F25680656-99-1.jpg%26width%3D650&w=2400&q=75)
