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Deux plaques à décor bas-relief en porcelaine de Doccia, vers 1760 Two Doccia white porcelain plaques with bas-relief decoration, circa 1760 image 1
Deux plaques à décor bas-relief en porcelaine de Doccia, vers 1760 Two Doccia white porcelain plaques with bas-relief decoration, circa 1760 image 2
Deux plaques à décor bas-relief en porcelaine de Doccia, vers 1760 Two Doccia white porcelain plaques with bas-relief decoration, circa 1760 image 3
The Carlo Colli Collection of Doccia Porcelain: Part II
Lot 168

Deux plaques à décor bas-relief en porcelaine de Doccia, vers 1760

Two Doccia white porcelain plaques with bas-relief decoration, circa 1760

30 – 31 October 2025, 14:00 CET
Paris, Avenue Hoche

Sold for €3,200 inc. premium

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Deux plaques à décor bas-relief en porcelaine de Doccia, vers 1760

Two Doccia white porcelain plaques with bas-relief decoration, circa 1760


Each bas-relief plaque decorated with an Ovidian scene in white porcelain, one depicting Meleagre hunting the Caledonian boar, the other depicting the massacre of the Niobids, 26.2cm x 11cm high, (2)

Footnotes

Provenance
With Antichità Orsi, Milan

Literature
Biancalana, Alessandro, Porcellane Ginori a Doccia. La stanza delle meraviglie di casa Colli, 2023, pp. 270-273, cats. 44-45

These relief plaques, probably sculpted by Anton Filippo Maria Weber (1699-1751) or Anton Francesco Selvi (1679-1753), depict two scenes from Ovid's Metamorphoses: the first depicts The Death of the Niobids, in which the children of Niobe are slaughtered by Apollo and Diana (depicted in the upper centre of the plaque armed with bows) in retribution for Niobe's behaviour towards the deities' own mother Latona, and The Hunt of Meleagre, who is depicted in hot pursuit of the Caledonian boar.

The oval shape of the original plaques by Della Porta (see illustrated images) were extrapolated by the artists at Doccia to a rectangular shape, of which the lead cast of Death of the Niobids is illustrated alongside a polychrome porcelain example by Carl Wendelin Anreiter in Rita Balleri, Fragili Tesori dei Principi, 2018, pp. 340-343, cats. 93-94.

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