
Noor Soussi
Head of Department
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Head of Department

Group Head
Provenance:
Property from the collection of AbdulMagid Breish, London
Published:
Louisa Macmillan, Mysa Kafil-Hussain et others, In Vested Interests: from Passion to Patronage, The AbdulMagid Breish Collection of Arab Art, Skira, Milan, 2020
Painted in the mid-1960s, during a time when Syrian artists were probing their culture and creativity, Asaad Arabi has ventured deeply into experimental representation in The Engaged. He uses both abstract and figurative techniques to merge his chosen figures with their surrounding environment in rich, earthy colours, as furniture, objects and people come together in form and colour to create a vibrant, distorted vision. The individuals – both appear to be women – are shown not just in the colour contrast of black versus white, but also at the sartorial extremes of veiled versus nude. The women appear to be engaged in conversation, with their strong, sharp faces and postures turned towards one another, but the tone of their peculiar interaction is unclear. Following this experimental figurative phase, Arabi moved further into geometrical abstraction and also post-modernist expressionism, before returning to figurative work in more recent years.
-Mysa Kafil-Hussain