Skip to main content

This auction has ended. View lot details

You may also be interested in

Own a similar item?

Submit your item online for a free auction estimate.

Richard Hamilton (British, 1922-2011) TiT Screenprint in colours, 2002, on heavy wove paper, signed, titled and numbered 32/50 in pencil (there were also five artist's proofs), printed by the artist and Brad Faine at Coriander Studio, London, published by the artist, the full sheet, framedImage 657 x 470mm (25 7/8 x 18 1/2in)Sheet 890 x 669mm (35 x 26 3/8in) image 1
Richard Hamilton (British, 1922-2011) TiT Screenprint in colours, 2002, on heavy wove paper, signed, titled and numbered 32/50 in pencil (there were also five artist's proofs), printed by the artist and Brad Faine at Coriander Studio, London, published by the artist, the full sheet, framedImage 657 x 470mm (25 7/8 x 18 1/2in)Sheet 890 x 669mm (35 x 26 3/8in) image 2
Lot 32*,AR

Richard Hamilton
(British, 1922-2011)
TiT

10 December 2024, 14:00 GMT
London, New Bond Street

£5,000 - £7,000

Own a similar item?

Submit your item online for a free auction estimate.

How to sell

Looking for a similar item?

Our Prints & Multiples specialists can help you find a similar item at an auction or via a private sale.

Find your local specialist

Ask about this lot

Richard Hamilton (British, 1922-2011)

TiT (Lullin 191)
Screenprint in colours, 2002, on heavy wove paper, signed, titled and numbered 32/50 in pencil (there were also five artist's proofs), printed by the artist and Brad Faine at Coriander Studio, London, published by the artist, the full sheet, framed

Image 657 x 470mm (25 7/8 x 18 1/2in)
Sheet 890 x 669mm (35 x 26 3/8in)

Footnotes

Provenance
Alan Cristea Gallery, London.
The Morgan Collection, Australia.

TiT stands for 'This is Tomorrow', an exhibition held at the Whitechapel Gallery in 1956, where twelve groups of artists, designers and architects were each invited to produce an installation exploring contemporary culture. Hamilton, along with John McHale and architect John Voelcker, collaborated on an interior with 'Perception and Imagery' as their theme.

In this screenprint, Hamilton depicts a view of the original installation, where the viewer's eye is drawn along the corridor between the wall of the gallery and the outer wall and is presented with references to Op Art, Jackson Pollock and Marcel Duchamp.

Additional information

Bid now on these items