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KIPLING (JOHN LOCKWOOD) Series of c.80 autograph letters, spanning his early career, India and retirement, c.1850-1910
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KIPLING (JOHN LOCKWOOD)
i) Twenty-two autograph letters, written from Bombay (13), Lahore (7), Simla (2), from John Lockwood Kipling and his wife Alice, on life in India, the climate ("...We call this the cold weather by courtesy really..."), much on their son Rudyard ("...Ruddy improves in talking every day, and speaks with wonderful distinctness... The little rogue talks in four languages – English – Hindustani, Marathi, and Goanese! I hope he will have a taste for languages... suffering terribly from the heat now like all of us... as cross as a woman on a washing day..."), his work ("...almost frightened sometimes to think how much I have to do... If I had six good English carvers and masons, and a lot of plasterers I could do something... busy designing a big new museum and additions to the School of Art..."), servants ("...Our ayah is a clever imitator of animals and little Alice has quite picked up her menagerie of sounds..."), animals ("...musk rats horrid things like sleek moles... that taint all they touch... gigantic cockroaches... a porcupine in a cage... to furnish me with penholders and brush handles..."), news of the assassination of the Viceroy, Lord Mayo ("...It has thrown a heavy gloom over all society all over the Empire..."), the death of Sir Henry Durand, Lt Governor of Punjab ("...the most conscientious statesman India has possessed..."), the benefits of India to the young ("...offers opportunities that few other countries can... I should like above all things... to let Ruddy have a chance in the Indian civil service... one of the best careers open to brains..."), preparing for a ball ("...three tailors are sitting on the Verandah stitching away at black velvet, gold braid etc... Bombay is very gay just now..."), description of their journey to Lahore ("...hotel here is very poor... no food fit to eat..."), the heat ("...like the breath of an oven after the pies have been taken out..."), meeting with Sir John Strachey, Governor of the N.W. Provinces ("...prospects of a new School of Art in the north..."), the power of the political agent ("...virtually rules a country bigger than Holland..."), growing children ("...Trix has thoroughly enjoyed her first season..."), increasing success of Rudyard ("...six small books now selling well in this country... no doubt of his success as a writer..."), visit of Lord Northbrook ("...dinner... 170 guests costing four thousand pounds..."); with a further 12 from London, Surrey and Yorkshire from them and other correspondents, with family news, and much else, over 150 pages, some incomplete, others fragments, dust-staining, marks, creases, small tears, some insect damage to a few bifolia, mostly 8vo, Bombay, Nassick, Lahore, Simla, Bewdley, London, 13 December 1865 to 30 December 1875
ii) Twelve autograph letters, from Kipling to family members, written prior to leaving for India, the first mentioning urgent work for Mr Pinder ("...At present I dream of strawberry dishes and fluted butter tubs... Rejoice with me, we are going to have a modeller to finish my designs..."), excited that "...The great exhibition is to be – and your humble servant hopes to have a hand therein... Mr Sykes is discovered to be in a dangerous state of lung disease... I am appointed his deputy and viceroy in management...", on his work on the Foreign Office ("...have been employed in carving the greater part of the single figures for the model..."), on the prospect of working in India ("...They are sanguine at Bombay about the success of the natives as carvers..."), on the 1862 exhibition ("...lounging about the Museum... making savage designs for ornament..."), his colleagues, suitable shirts for India, etc., c.74 pages, some fragmentary or incomplete, mostly 8vo, Pimlico, South Kensington, c.1857-1861
iii) Some eighteen letters from Kipling and other family members, including a love letter from his father to his mother, the rest dating from the early years of his career, with mention of his time at Pinder Bourne & Co. and night classes at The Potteries art school, with a small juvenile sketchbook bearing ownership inscription "John Kipling. 1849", c.56 pages, 4to and smaller, Burslem and elsewhere, 1829 and later; another folder with some 20 letters written after his retirement in 1893, the majority from Kipling, some from Alice, to Frances and Lizzie, with family news ("...Rud has just flitted from Rottingdean to a property he has bought in East Sussex, an old house with about 50 acres round it..."), and work ("...I am doing some models for America of Indian subjects..."), c.76 pages, 4to and smaller, Tisbury, 1893 to 1910
Footnotes
'THEY WANT A MAN WHO KNOWS SEVERAL THINGS, ABOUT POT, TERRA-COTTA, CARVING, MODELLING, PLASTERING, ARCHITECTURAL ORNAMENT – OF TOLERABLE EDUCATION AND A KINDLY DISPOSITION'.
Our correspondence, which has been held in the family until now, not only offers an evocative description of life in India, where Kipling spent nearly thirty years, but also offers an insight into the childhood of his famous son, Rudyard, who from an early age shows a precocious promise: "...He is unusually forward in his speech even for this country where children are generally quick... and wants keeping back rather than encouraging...". Kipling's experiences in India engendered a strong belief in the opportunities offered by the country for a clever young man, and he expresses the hope that his son will follow a career in the Indian civil service. Intending to go for just three years to teach ceramics and architectural sculpture at the School of Art in Bombay, Kipling sailed to India with his wife Alice in April 1865. He stayed until his retirement in 1893, contributing to the embellishment of many new public buildings, serving as the principal of the Mayo School of Art and curator of the Lahore Central Museum (Julius Bryant, ODNB). A pioneer of art education, he recorded and promoted local craft industries, publishing their work in the Journal of Indian Art, at the new India section of the South Kensington Museum and several International Exhibitions. Many private commissions followed, most notably the Durbar Room at Osborne House for Queen Victoria.
These letters have been consulted, and quoted from, by Catherine Arbuthnott and others in John Lockwood Kipling: Arts and Crafts in the Punjab and London, 2017, the catalogue accompanying the landmark exhibition at the Victoria & Albert Museum. The collection is acknowledged as revealing significant new information as to his relationships with his colleagues from his early career. For example they explain how he came to be involved in the decoration of the new buildings at South Kensington Museum, thus earning himself a prominent position in the mosaic mural depicting South Kensington worthies in the museum's quadrangle, following directly behind the primary group of director Henry Cole, his deputy Philip Cunliffe Owen, the architect Francis Fowke and Godfrey Sykes.
Provenance: John Lockwood Kipling (1837-1911); his sister Ann Elizabeth Crump (née Kipling, 1841-1924); her daughter Alice Crump and son-in-law John Thomas Gaskill (d.1947); their son Philip Ainsworth Gaskill (1908-1998); thence by descent to the present owner.

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