
Oliver Cornish
Sale Coordinator for Furniture, Sculpture, Rugs & Tapestries
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£12,000 - £15,000
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Sale Coordinator for Furniture, Sculpture, Rugs & Tapestries

Head of Department
From the late 1300s up until the Reformation alabaster carving was a major production in the Midlands, specifically in Nottingham. Altarpieces and smaller panels were produced for the market at home, but a great number were exported with some surviving examples found as far as Iceland. They were usually painted and gilded and had a distinctive iconographic style. During the Reformation such works were hidden in England or completely destroyed. It is largely thanks to the preserved European examples that historians and academics have able to uncover the history behind these fascinating objects.
Related Literature
F.W. Cheetham, English Medieval Alabasters, A Catalogue of the Collection in the Victoria and Albert Museum, Boydell Press, 2005.
F.W. Cheetham Alabaster Images of Medieval England, Woodbridge, 2003.
F.W. Cheetham, The Alabaster Men: Sacred images of Medieval England Daniel Katz, 2001.
F.W. Cheetham, English Medieval Alabasters, Oxford, 1984.