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A Directoire ormolu mounted mahogany writing tableMade by Jacob Fr�res Rue Mesl�e, circa 1800 image 1
A Directoire ormolu mounted mahogany writing tableMade by Jacob Fr�res Rue Mesl�e, circa 1800 image 2
A Directoire ormolu mounted mahogany writing tableMade by Jacob Fr�res Rue Mesl�e, circa 1800 image 3
A Directoire ormolu mounted mahogany writing tableMade by Jacob Fr�res Rue Mesl�e, circa 1800 image 4
A Directoire ormolu mounted mahogany writing tableMade by Jacob Fr�res Rue Mesl�e, circa 1800 image 5
Lot 186*,TP

A Directoire ormolu mounted mahogany writing table
Made by Jacob Frères Rue Meslée, circa 1800

21 November 2023, 13:00 GMT
London, New Bond Street

Sold for £11,520 inc. premium

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A Directoire ormolu mounted mahogany writing table

Made by Jacob Frères Rue Meslée, circa 1800
The rectangular top inset with a gilt tooled green leather writing surface above a further sliding green leather lined writing surface and flanked by conforming slides to either side, with delicate ormolu banding, on turned tapering legs on ormolu caps and gilt metal castors, stamped twice JACOB FRERES / RUE MESLEE to the underside and bearing a stamp PALAIS DES TUILERIES, 102cm wide x 55.5cm deep x 73.5cm high, (40in wide x 21.5in deep x 28 1/2in high)

Footnotes

Provenance
Pieter Hoogendiijk Antiquairs, Baarn.

Jacob Frères, Rue Meslée, was the stamp used by Georges II Jacob and François-Honoré-Georges Jacob during their collaboration from 1797-1803.

Designed in the delicate 'Antique' manner, this elegant bureau plat bears a stamp for the 'PALAIS DES TUILERIES'. This mark, usually followed by an inventory number, refers to the furniture delivered for the newly redecorated collections of the Palais des Tuileries.

It is under the Consulat period (1799-1800) with Napoléon Bonaparte that the Tuileries becomes again a lived-in residence, after its former illustrious story started in 1564 under Catherine de Médici. It is under the influence of Bonaparte, that a new artistic development scheme under the directorship of Charles Percier and Pierre Fontaine takes place. To this effect, the Jacob brothers were working closely with Percier and Fontaine in the refurbishment plan of the Tuileries, under the supervision of the architect Etienne-Chérubin Leconte.

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