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HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 1
HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 2
HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 3
HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 4
HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 5
HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 6
Thumbnail of HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 1
Thumbnail of HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 2
Thumbnail of HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 3
Thumbnail of HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 4
Thumbnail of HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 5
Thumbnail of HATTORI MAKIKO (1984-) Release Heisei era (1989-2019), 2016 image 6
Important works of art from an American private collection
Lot 833
HATTORI MAKIKO (1984-)
Release
Heisei era (1989-2019), 2016
Fine Japanese and Korean Works of Art
22 March 2023, 10:00 EDT
New York

US$12,000 - US$15,000

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HATTORI MAKIKO (1984-)

Release
Heisei era (1989-2019), 2016
The massive unglazed porcelaneous coil-built stoneware body applied with thousands of clay shavings
12 1/2 x 17 x 16 1/4in (38.4 x 43.2 x 41.3cm)

Footnotes

Like many contemporary Japanese women ceramists Hattori abandoned vessel forms soon after graduating, preferring to specialize in sculpture. Using a painstaking, time-consuming technique that restricts her annual output to about half a dozen works, she applies countless individual paper-thin shavings of clay to her coil-built sculptural forms until the entire surface is covered, inside and out.

Additional information