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明 十六世紀末/十七世紀初 黃花梨插肩榫壸門牙條酒桌
Provenance:
Nicholas Grindley, London, 1 March 1988
Published:
Sarah Handler, "Outstanding Pieces in Private Rooms: Chinese Classical Furniture in New American Collections," Orientations, January 1993, pp. 166-173; reprinted in Chinese Furniture: Selected Articles from Orientations 1984-1999, pp. 166-173 and 171-72, illustrated as fig. 12.
Exhibited:
Educated Palates, joint exhibition of Nicholas Grindley Ltd. and Sydney L. Moss Ltd., New York, 13-17 October 1987, no. 26
來源:
倫敦Nicholas Grindley古董行,1988年3月1日
出版:
莎拉·韓蕙(Sarah Handler),《Outstanding Pieces in Private Rooms: Chinese Classical Furniture in New American Collections 私人藏珍:新晉美國收藏中的中國古典家具》,《Orientations 美成在久》1993年1月刊,頁166-173;重刊於《Chinese Furniture: Selected Articles from Orientations 1984-1999 中國家具:美成在久雜誌1984-1999年文選合訂本》,頁166-173及171-172,插圖12
展覽:
《Educated Palates》,Nicholas Grindley古董行及Sydney L. Moss Ltd.藝廊協辦展覽,紐約,1987年10月13-17日,展品編號26
This side table is a superb example of elegant proportions and exquisite craftsmanship. See a related example in the Hung Collection, Robert Hatfield Ellsworth, Nicholas Grindley and Anita Christy, CHINESE FURNITURE: One Hundred Examples from the Mimi and Raymond Hung Collection (New York, 1996), no. 47, pp. 136-7 which has everted flanges and ruyi shaped footpads, and later sold at Christie's, 28 November 2017, as lot 2950. See a discussion and illustrations of wine tables with recessed flush mitered leg construction in Wang Shixiang, Connoisseurship of Chinese Furniture: Ming and Early Qing Dynasties Vol. II, p. 78, B36 and 37, and page 103, B96 and B37.
See one of a small number of tables of this form at the Nelson-Atkins Museum, illustrated by Roger Ward and Patricia Fidler in The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York, 1993), p. 342, For a related table with a green stone inset, see Christie's London, 28 May 2019, lot 3125.
The tabletop is two-board instead of single-board.