Coco Li
Sale Coordinator, Chinese Works of Art
Sold for US$20,400 inc. premium
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新石器時代 青海馬家窯文化 珍罕黑彩舞樂圖紅陶盆
Provenance:
Joseph Rondina, New York, 1980's or 1990's
來源:
紐約Joseph Rondina舊藏,1980年代或1990年代
For further discussion of the Majiayao culture, see Xiaoneng Yang, Ed., The Golden Age of Chinese Archaeology, Celebrated Discoveries from the People's Republic of China, National Gallery of Art, Washington, 1999, pp.68-71, where it is noted that 'figural' decoration on such vessels is 'exceptional'. The authors also describe the people in whose daily lives these vessels played a role, as generally agriculturalists who lived in small villages and tilled their fields on the loess terraces above the rivers and streams that cut through the area.
For a bowl from the National Museum of Chinese History, Beijing, with similar groupings of five 'ithyphallic' figures, see Xiaoneng Yang, Ed., ibid, pp.72-73, no. 6. Like our figures they are described in minimal detail with round heads with hanging braids, slender oval bodies and stick-like limbs. The entry for this bowl (contributed by Louisa G. Fitzgerald-Huber), discusses recent excavations at Zongri, a site in eastern Qinghai province, located to the southwest of Datong, near Tongde, that provide new insight as to the meaning of the vessel's decoration. A bowl, unearthed in a nearby site, with stick figures holding hands but with round abdomens, suggesting pregnant females, may well suggest, that what is represented, is one of the few cases during the Chinese Neolithic in which human fertility is expressed.