Skip to main content

This auction has ended. View lot details

You may also be interested in

Own a similar item?

Submit your item online for a free auction estimate.

Lot 306TP

Alfred Adrian Jones MVO (British, 1845-1938): A silvered bronze equestrian group of a huntsman and two hounds
cast by Elkington & Co.

18 – 19 April 2023, 10:00 BST
London, Knightsbridge

£6,000 - £8,000

Own a similar item?

Submit your item online for a free auction estimate.

How to sell

Looking for a similar item?

Our Home and Interiors specialists can help you find a similar item at an auction or via a private sale.

Find your local specialist

Ask about this lot

Alfred Adrian Jones MVO (British, 1845-1938): A silvered bronze equestrian group of a huntsman and two hounds

cast by Elkington & Co.
the seated rider blowing his horn, one hound leaping over a small fence, the other before the horse, on naturalistic rectangular base, the rear signed and inscribed AJA and ELKINGTON&CO, raised on a rectangular ebonised moulded wooden plinth, 53cm high, 49cm wide, 26cm deep

Footnotes

Adrian Jones was a British sculptor and painter who specialised in the depiction of animals, in particular horses. Born in Ludlow, Shropshire, he studied at the Royal Veterinary College, London and in 1866 he qualified as a veterinary surgeon. The following year he enlisted in the Army as a veterinary officer in the Royal Horse Artillery with whom he served between 1867 and 1890. After an illustrious military career, travelling extensively and serving overseas, Jones retired in 1891 with the rank of captain. By this time, he was already active as an artist, having exhibited at the Royal Academy as early as 1884. In 1891 he married and moved to 147 Church Street, Chelsea where he built an art studio in the garden.
In 1888 Jones received his first formal commission, to sculpt the outstanding racehorse Ormonde, a triple crown winner, from the Duke of Westminster. The quality and success of this first commission ensured that he attracted the patronage of other horse owners and he soon became nationally renowned as an equestrian sculptor of some of the Turf's greatest racehorses. His training as a veterinary surgeon also gave him a deep knowledge of equine anatomy which he used in his work with great success.
Throughout the course of his artistic career Adrian Jones undertook many public monumental commissions, most notable of which is perhaps 'Peace descending on the Quadriga of War' on top of the Wellington Arch at Hyde Park Corner in London.

Additional information

Bid now on these items

A Jacobite concealed portrait snuff box18th century

A 15th century carved limestone figure of St George

A pair of mid 16th century Italian patinated and parcel gilt bronze angel candlesticks Probably Tuscan and in the manner of Domenico Beccafumi (1484-1551)

A Renaissance Florentine panel woven in silks and metal threadMid 15th century, probably for a Dalmatic garment

A 16th century tapestry fragment Formerly part of a larger tapestry in Gerona Cathedral

An extremely rare early 17th century Dutch black, red and gilt japanned casketProbably attributable to Willem Kick (Dutch, 1579-1647)

A carved limestone bust of a kingProbably late 14th/early 15th century, and later

A rare and impressive Charles II leaded bronze 'York' mortar Made for Roger Warde, apothecary, and dated 1684, together with a large associated cast iron pestle

A late 18th/early 19th century Italian relief carved and part stained wood oval profile portrait plaque depicting a classical warrior maiden, perhaps Minerva Possibly attributable to the workshop of Giuseppe Maria Bonzanigo (Italian, 1745–1820)

Of Grand Tour interest: A collection of six trays of 19th century plaster intagliosProbably from the workshop of Pietro Paoletti (Rome, 1801-1847)

Francesco Righetti I (Italian, 1738-1819): A patinated bronze figure of the Apollo BelvedereAfter the antique, Roman, the cast dated 1787

After Pierre Lepautre (French, 1659-1744) and François Girardon (French, 1628-1714): A patinated bronze figural group of 'Aeneas carrying Anchises'French, probably first half early 19th century

A rare French gilt copper and champlevé enamel crozier finial depicting St Michael slaying the devil as a dragon Limoges, 1220-1230

A rare French gilt copper and champlevé enamel book or Evangeliary cover depicting the Crucifixion Limoges, circa 1190-1200

A French gilt copper and champleve enamel oval plaque of the angelLimoges, 19th century

John Gibson (British, 1791 - 1866): A carved white marble bust of Lucy Charlotte Jervis (née Baskervyle-Glegg), 3rd Viscountess Saint

Jacques-Léonard Maillet (French, 1823-1895): A patinated bronze of Agrippina carrying the ashes of Germanicus

After Louis-François Roubiliac (French, 1702-1762): A patinated bronze bust of 'The Laughing Child' Probably French, second half 18th century

A late 19th century Iberian terracotta equestrian model of a peasant Probably attributable to Antonio Peñas y León (Spanish, 1810-1871)

A pair of large 19th century French bronze figural candlesticks After designs by Corneille van Clève (French, 1645-1732), the models originally cast by Charles Le Brun (French, 1619-1690)

A pair of George III gilt and patinated bronze and white marble griffin candlesticks In the Neoclassical style after designs by Sir William Chambers (Anglo-Swedish, 1726-1796), circa 1800

A pair of 19th century French gilt bronze candlesticks In the Louis XVI style and after the 18th century models by Étienne Martincourt

A Northern Italian gilt gesso carved wood,'tôle peinte' and rock crystal six light chandelier, Probably Genoese or Piedmontese, late 18th century/early 19th century

A 19th century gilt brass and cut glass eight light tent, waterfall and bag chandelier Probably English, circa 1820-30, stamped to the frame: '1 S'