Skip to main content

This auction has ended. View lot details

You may also be interested in

Own a similar item?

Submit your item online for a free auction estimate.

A Napoleon III thuyawood, ebonised and 'bois durci' liqueur cabinet by Charles-Guillaume Diehl (German, 1811-1885), inset with shaped and rectangular panels, possibly by Francois Charles Lepage image 1
A Napoleon III thuyawood, ebonised and 'bois durci' liqueur cabinet by Charles-Guillaume Diehl (German, 1811-1885), inset with shaped and rectangular panels, possibly by Francois Charles Lepage image 2
A Napoleon III thuyawood, ebonised and 'bois durci' liqueur cabinet by Charles-Guillaume Diehl (German, 1811-1885), inset with shaped and rectangular panels, possibly by Francois Charles Lepage image 3
Lot 185

A Napoleon III thuyawood, ebonised and 'bois durci' liqueur cabinet by Charles-Guillaume Diehl (German, 1811-1885),
inset with shaped and rectangular panels, possibly by Francois Charles Lepage

18 – 19 April 2023, 10:00 BST
London, Knightsbridge

Sold for £573.75 inc. premium

Own a similar item?

Submit your item online for a free auction estimate.

How to sell

Looking for a similar item?

Our Home and Interiors specialists can help you find a similar item at an auction or via a private sale.

Find your local specialist

Ask about this lot

A Napoleon III thuyawood, ebonised and 'bois durci' liqueur cabinet by Charles-Guillaume Diehl (German, 1811-1885),

inset with shaped and rectangular panels, possibly by Francois Charles Lepage
of rectangular form, the top inset with a panel depicting an oval of bacchic putti and a goat, the front with a panel decorated with an oval female profile portrait, possibly depicting the Empress Eugenie, the sides with foliate panels, the hinged lid and front opening to reveal a lift-out oval gilt framed tray stand with handle, enclosing a suite of four etched and cut-glass decanters and stoppers with gilt rims, and sixteen glasses ensuite, one as found, the lockplate with engraved maker's/retailer's mark, the cabinet, 27cm high, 38.5cm long, 30cm deep

Footnotes

Bois durci was an early 'plastic' moulded material based on cellulose. Patented in Paris in 1855 by Francois Charles Lepage, 'literary man of Paris', he claimed 'A New Composition of materials which may be employed as a substitute for wood, leather, bone, metal and other hard or plastic substances'. The moulded material was made from finely ground wood 'flour' mixed with a binder, either egg, gelatin or in the case of Lepage, blood albumen which was obtained from the Paris slaughterhouses. The wood 'flour' used was either ebony or rosewood, giving either a black or brown finish. The mixture was dried and ground to a fine powder. The powder was placed in a steel mould and compressed in a powerful hydraulic press whilst being heated by steam. The final product was then polished to a dense glossy finish imparted by the surface of the steel mould.

Lepage produced a variety of small household items including combs and pipe stems etc., and The SOCIETE DU BOIS DURCI was established to produce desk items, especially decorative inkwell stands and plaques. The factory was at Grenelle in Paris and products were sold through A Latry & Cie. of 7 Rue du Grand-Chantier, (Au Marais) in Paris. In 1862 he exhibited the wares of the Societé at the International Exhibition. By the end of the 20th Century, the firm had been taken over by MIOM (La Manufacture d'Isolants et Objets Moulés) which was founded in 1898. They continued to make bois durci until about 1920, by which time it had been superseded by newer plastics materials, such as bakelite.

Additional information

Bid now on these items

A Jacobite concealed portrait snuff box18th century

A 15th century carved limestone figure of St George

A pair of mid 16th century Italian patinated and parcel gilt bronze angel candlesticks Probably Tuscan and in the manner of Domenico Beccafumi (1484-1551)

A Renaissance Florentine panel woven in silks and metal threadMid 15th century, probably for a Dalmatic garment

A 16th century tapestry fragment Formerly part of a larger tapestry in Gerona Cathedral

An extremely rare early 17th century Dutch black, red and gilt japanned casketProbably attributable to Willem Kick (Dutch, 1579-1647)

A carved limestone bust of a kingProbably late 14th/early 15th century, and later

A rare and impressive Charles II leaded bronze 'York' mortar Made for Roger Warde, apothecary, and dated 1684, together with a large associated cast iron pestle

A late 18th/early 19th century Italian relief carved and part stained wood oval profile portrait plaque depicting a classical warrior maiden, perhaps Minerva Possibly attributable to the workshop of Giuseppe Maria Bonzanigo (Italian, 1745–1820)

Of Grand Tour interest: A collection of six trays of 19th century plaster intagliosProbably from the workshop of Pietro Paoletti (Rome, 1801-1847)

Francesco Righetti I (Italian, 1738-1819): A patinated bronze figure of the Apollo BelvedereAfter the antique, Roman, the cast dated 1787

After Pierre Lepautre (French, 1659-1744) and François Girardon (French, 1628-1714): A patinated bronze figural group of 'Aeneas carrying Anchises'French, probably first half early 19th century

A rare French gilt copper and champlevé enamel crozier finial depicting St Michael slaying the devil as a dragon Limoges, 1220-1230

A rare French gilt copper and champlevé enamel book or Evangeliary cover depicting the Crucifixion Limoges, circa 1190-1200

A French gilt copper and champleve enamel oval plaque of the angelLimoges, 19th century

John Gibson (British, 1791 - 1866): A carved white marble bust of Lucy Charlotte Jervis (née Baskervyle-Glegg), 3rd Viscountess Saint

Jacques-Léonard Maillet (French, 1823-1895): A patinated bronze of Agrippina carrying the ashes of Germanicus

After Louis-François Roubiliac (French, 1702-1762): A patinated bronze bust of 'The Laughing Child' Probably French, second half 18th century

A late 19th century Iberian terracotta equestrian model of a peasant Probably attributable to Antonio Peñas y León (Spanish, 1810-1871)

A pair of large 19th century French bronze figural candlesticks After designs by Corneille van Clève (French, 1645-1732), the models originally cast by Charles Le Brun (French, 1619-1690)

A pair of George III gilt and patinated bronze and white marble griffin candlesticks In the Neoclassical style after designs by Sir William Chambers (Anglo-Swedish, 1726-1796), circa 1800

A pair of 19th century French gilt bronze candlesticks In the Louis XVI style and after the 18th century models by Étienne Martincourt

A Northern Italian gilt gesso carved wood,'tôle peinte' and rock crystal six light chandelier, Probably Genoese or Piedmontese, late 18th century/early 19th century

A 19th century gilt brass and cut glass eight light tent, waterfall and bag chandelier Probably English, circa 1820-30, stamped to the frame: '1 S'