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STATUE DE VAJRADHARA EN LAITON INCRUSTÉ D'ARGENT TSANG, TIBET CENTRAL, XVE SIÈCLE image 1
STATUE DE VAJRADHARA EN LAITON INCRUSTÉ D'ARGENT TSANG, TIBET CENTRAL, XVE SIÈCLE image 2
STATUE DE VAJRADHARA EN LAITON INCRUSTÉ D'ARGENT TSANG, TIBET CENTRAL, XVE SIÈCLE image 3
Lot 38

STATUE DE VAJRADHARA EN LAITON INCRUSTÉ D'ARGENT
TSANG, TIBET CENTRAL, XVE SIÈCLE

14 – 15 June 2022, 14:00 CEST
Paris, Rue de la Paix

Sold for €44,475 inc. premium

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STATUE DE VAJRADHARA EN LAITON INCRUSTÉ D'ARGENT

TSANG, TIBET CENTRAL, XVE SIÈCLE
Himalayan Art Resources item no. 4840
24 cm (9 1/2 in.) high

Footnotes

A SILVER-INLAID BRASS FIGURE OF VAJRADHARA
TSANG, CENTRAL TIBET, 15TH CENTURY

藏中 十五世紀 銅錯銀金剛總持像

Provenance:
With Claude de Marteau, Brussels, by 1970s

The primordial Buddha, Vajradhara, crosses a vajra and bell before his chest (vajrahumkara mudra), symbolizing the perfected union of wisdom and compassion that is Buddha-consciousness, and into which the human ego can blissfully evaporate. His sublime body is clad in a lower garment with patterned floral hems, and a scarf that drapes over his shoulders before sweeping around the elbows and falling to his sides. His crown consists of five tall leaves, representing each of the Five Presiding Buddhas.

The sculpture is a superior example of the non-gilded, brassy, and frequently inlaid style favored in Tsang province of Central Tibet. This alloy can be brought to a high polish, achieving an attractive buttery patina, as seen on the figure's back. Vajradhara's squarish countenance and accentuated smile are also characteristic of Tsang style. A 15th-century date is supported by the particular rippling of the lower garment around the shins, and the long, densely packed lotus petals around the base, which Tibetan craftsmen adopted from imperial Chinese Buddhist bronzes that were sent to powerful Tsang monasteries by the Yongle emperor (1403-24). Similar Tsang bronzes of Vajradhara are kept in the Johkang, Lhasa; the Rubin Museum of Art, New York (C.2005.37.1); and a private collection (see von Schroeder, Buddhist Sculptures in Tibet, Vol. II, 2001, p. 1193, no. 323B; HAR 90823; and HAR 30586, respectively).

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