Thomas Moore
Head of Department
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Lot 39TP
An Italian late 17th/early 18th century pietra dura and marble panel with a modern cast-iron stand, the panel probably Neapolitan
13 – 14 July 2022, 14:00 BST
London, New Bond StreetSold for £7,650 inc. premium
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An Italian late 17th/early 18th century pietra dura and marble panel
with a modern cast-iron stand, the panel probably Neapolitan
The thick rectangular white marble inlaid with assorted marbles and hardstones, the tablet border with re-entrant angles and spandrels, the central scrolled oval cartouche inset with a rosette encompassed by alternating clusters of starburst rays and elongated husk decoration, within a C-scroll surround, flanked to each side by stylised scrolled foliage, approximate measurements for the marble top: 146cm wide x 74.5cm deep x 5cm high, (57in wide x 29in deep x 1 1/2in high) the modern stand: 112cm wide x 56cm deep x 73cm high.
The thick rectangular white marble inlaid with assorted marbles and hardstones, the tablet border with re-entrant angles and spandrels, the central scrolled oval cartouche inset with a rosette encompassed by alternating clusters of starburst rays and elongated husk decoration, within a C-scroll surround, flanked to each side by stylised scrolled foliage, approximate measurements for the marble top: 146cm wide x 74.5cm deep x 5cm high, (57in wide x 29in deep x 1 1/2in high) the modern stand: 112cm wide x 56cm deep x 73cm high.
Footnotes
Provenance
The present pietra dura panel was purchased by the grandfather of the current owner and vendor, 15 January 1993, from Arthur R. Bottiger, Lugano, in Switzerland.
A similar Neapolitan 17th century pietra dura panel to the offered lot is illustrated in A.M. Massinelli, Hardstones, The Gilbert Collection, 2000, London, fig.40, p.123. Its overall design, along with the various types and dispersal of marbles incorporated, are closely comparable to those elements on the present model. Massinelli notes that such an example is typical of the work produced in Naples among the various marble workshops active during the second half of the 17th century.
The Gilbert panel, which has provenance to Giuseppe Constantini, Rome, 1971, was most likely meant to be the facade for an altar. This is possibly also the original purpose with regard to the above. Both panels appear to have some characteristics in common with the truly incredible inlaid marble floor inside the Certosa di San Martino, in Naples.