Sold for £4,462.50 inc. premium
Own a similar item?
Submit your item online for a free auction estimate.How to sell
Looking for a similar item?
Our Books & Manuscripts specialists can help you find a similar item at an auction or via a private sale.Find your local specialist
Ask about this lot
'I KNOW NOTHING (OR NEARLY NOTHING) ABOUT THE STAGE': TOLKIEN ON DRAMA.
Despite professing in this letter to his good friend Rosfrith Murray that he has no interest in drama or indeed Shakespeare, Tolkien is known to have enjoyed frequent visits to the theatre, and wrote and took part (supposedly enthusiastically) in family theatricals. Whilst it is generally agreed that he preferred literature to the performing arts as an art form, a recent discovery in the BBC archives shows that shortly after the publication of The Lord of the Rings he was in fact actively involved in Terence Tiller's first radio dramatization of the Tolkien trilogy which was broadcast in 1955 and 1956. Scripts hitherto thought lost clearly show annotations and amendments in Tolkien's hand, demonstrating, as Catherine McIlwaine writes '...he was willing to work with the scriptwriters, to abridge the text and adjust the balance of narration and dialogue, so that it fitted the requirements of radio and the limited time available...' (Ed. Ovenden, R., McIlwaine, C., The Great Tales Never End: Essays in Memory of Christopher Tolkien, 2022).
The recipient of our letter, Rosfrith Murray (1884-1973), was the fourth daughter (and ninth child) of lexicographer and celebrated founder and editor of the Oxford English Dictionary Sir James Murray. She worked closely with her father and met Tolkien in November 1918 when he joined the staff as an assistant lexicographer, developing a close and lifelong friendship. Her mother was a Ruthven, of the Earls of Gowrie, whose story was the subject of much of her time and research. Tolkien here responds to Rosfrith's request for advice on The Tragedy of Gowrie a play performed by Shakespeare's company in 1604 concerning the eponymous Earl's plot to kill the King of Scotland. The play was withdrawn after two performances but supposedly inspired Shakespeare to write his own Scottish play of 1606. This letter is not published in The Letters of J.R.R. Tolkien: A Selection, 1981.