Skip to main content

This auction has ended. View lot details

You may also be interested in

Own a similar item?

Submit your item online for a free auction estimate.

A fine and rare 17th century gentleman's embroidered linen night cap English, circa 1620 image 1
A fine and rare 17th century gentleman's embroidered linen night cap English, circa 1620 image 2
Lot 34

A fine and rare 17th century gentleman's embroidered linen night cap
English, circa 1620

23 June 2021, 14:00 BST
London, New Bond Street

Sold for £5,100 inc. premium

Own a similar item?

Submit your item online for a free auction estimate.

How to sell

Looking for a similar item?

Our Home and Interiors specialists can help you find a similar item at an auction or via a private sale.

Find your local specialist

Ask about this lot

A fine and rare 17th century gentleman's embroidered linen night cap

English, circa 1620
the cream ground intricately worked in various decorative stitches and French knots with an elaborate design of chain interlocking scrolls, flowers, fruit, vegetables, birds and insects in coloured silks and couched silver and gold metallic threads, including 'Tudor' roses, thistles, carnations, articulated split pea pods revealing tiny peas, strawberries, songbirds and caterpillars and butterflies, 20cms high x 26cms wide (folded)

Footnotes

Provenance
Acquired by a lady collector from the Cambridge antiques trade sometime in the late 1950's or early 1960's. Thence by descent.

In the opening year of 17th century it became fashionable for wealthy European men to wear elaborate informal indoor caps. One type that was particularly popular was the so-called night cap, although despite its name it was actually worn during the day.

The caps performed two functions: firstly as fashionable indoor wear and secondly, but just importantly, as an effective insulation against the cold of unheated corridors and lesser domestic chambers. The reason this was so important was that men commonly worn wigs in public and to prevent irritation they shaved their heads so that the cap acted as a protective accessory. Some literature of the day on the subject of night caps even recommended stitching herbs into the cap to prevent illness.

Usually dome-shaped with high crowns and tightly fitting brims in the early 17th century, they became looser as the century progressed until they were superseded by turbans and smoking caps in early 18th century.

As needlework was an important part of the education and activities of a young lady in the 17th century, caps of this type became vehicles for showing off the virtuosity and craftsmanship of their makers.

A night cap conforming to the fashion of the early 17th century and comparable to current lot is in the permanent collection of the Metropolitan Museum of Art, New York. Dating to the first quarter of the 17th century, the cap has a tall crown made up of four quarters and is decorated with gold thread lace. Although made from silk, it is lined with linen and is embroidered in silk and metal threads with stylised plants, 'Tudor' roses and thistles as well as birds, butterflies and caterpillars.

For a comparable gentleman's night cap sold at auction, see Christies, London, 3 December 2009, lot 4 and for a related lady's cap, see Bonhams, Knowle, 30th November 2009.

Although using naturalistic motifs comparable to the caps mentioned above, the present lot has the addition of particularly charming articulated pea pods worked so that these pods can be pushed back to reveal tiny peas.

Additional information

Bid now on these items

A Jacobite concealed portrait snuff box18th century

A 15th century carved limestone figure of St George

A pair of mid 16th century Italian patinated and parcel gilt bronze angel candlesticks Probably Tuscan and in the manner of Domenico Becafumi (1484-1551)

A Renaissance Florentine panel woven in silks and metal threadMid 15th century, probably for a Dalmatic garment

A 16th century tapestry fragment Formerly part of a larger tapestry in Gerona Cathedral

A set of three Holkham Pottery wine jugs Third quarter 20th century

An extremely rare early 17th century Dutch black, red and gilt japanned casketProbably attributable to Willem Kick (Dutch, 1579-1647)

A carved limestone bust of a kingProbably late 14th/early 15th century, and later

A rare and impressive Charles II leaded bronze 'York' mortar Made for Roger Warde, apothecary, and dated 1684, together with a large associated cast iron pestle

A collection of four commemorative glass bowls and plates including for the Coronation of King George VI Second quarter 20th century and earlier

A late 18th/early 19th century Italian relief carved and part stained wood oval profile portrait plaque depicting a classical warrior maiden, perhaps Minerva Possibly attributable to the workshop of Giuseppe Maria Bonzanigo (Italian, 1745–1820)

Of Grand Tour interest: A collection of six trays of 19th century plaster intagliosProbably from the workshop of Pietro Paoletti (Rome, 1801-1847)

Francesco Righetti I (Italian, 1738-1819): A patinated bronze figure of the Apollo BelvedereAfter the antique, Roman, the cast dated 1787

After Pierre Lepautre (French, 1659-1744) and François Girardon (French, 1628-1714): A patinated bronze figural group of 'Aeneas carrying Anchises'French, probably first half early 19th century

A rare French gilt copper and champlevé enamel crozier finial depicting St Michael slaying the devil as a dragon Limoges, 1220-1230

A rare French gilt copper and champlevé enamel book or Evangeliary cover depicting the Crucifixion Limoges, circa 1190-1200

A white metal shell and dolphin salt given to Lady Glenconner by Princess Margaret

A French gilt copper and champleve enamel oval plaque of the angelLimoges, 19th century

A pair of mother of pearl, yellow metal and gem-set dishes given to Lady Glenconner by Imelda Marcos during a visit to the Philippines

An early 19th century satin-birch, 'mulberry wood', ebonised and mother of pearl vanity and sewing box

A French second half 19th century red stained tortoiseshell, cut brass inlaid and gilt metal mounted 'Boulle' casket Circa 1870

Sir Alfred Gilbert, M.V.O., R.A (British 1854-1934): a patinated bronze figure of 'An Offering to Hymen'