Skip to main content

This auction has ended. View lot details

You may also be interested in

Own a similar item?

Submit your item online for a free auction estimate.

Lot 88*

An Attic lekythos in Six's Technique

7 December 2021, 12:00 GMT
London, New Bond Street

£6,000 - £8,000

Own a similar item?

Submit your item online for a free auction estimate.

How to sell

Looking for a similar item?

Our Antiquities specialists can help you find a similar item at an auction or via a private sale.

Find your local specialist

Ask about this lot

An Attic lekythos in Six's Technique
Attributed to the Diosphos Painter, circa 525-475 B.C.
Depicting a satyr in profile to the right, his left leg raised, holding a kithara in his left arm, a lion following the satyr with its left forepaw aloft, the shoulder with a band of hanging lotus buds, rays around the base of the neck, details incised and in added red and white, 20cm high

Footnotes

Provenance:
George Ortiz (1927-2013) collection, Switzerland.
Private collection, Switzerland, 1970s-1980s, gifted from the above.
Anonymous sale; Cahn Auktionen AG, Basel, 10 November 2015, lot 55.
Beazley Archive no. 9034536.

For another vase in Six's technique with a satyr, see C. Haspels, Attic Black-figured Lekythoi, Paris, 1936, 236.89. For two further lekythoi in Six's Technique by the Diosphos Painter, both with satyrs and maenads, see Beazley Archive nos 14032 and 305522.

This lekythos is a rare example of 'Six's Technique', named after the Dutch scholar Jan Six, who coined the term in 1888. The Athenian potter Nicosthenes was one of the first to use this technique, and it continued to be in use between the end of the 6th Century to the middle of the 5th Century B.C., a comparatively short period of only one generation. Figures in white or red were painted onto a black-glazed background, where details could then be incised to reveal the underlayer of black. This technique combines the incision technique of black-figure vases with the visual impact of red-figure vases, having the brightly-coloured figures on top of a black background. Six's Technique was likely abandoned as it was less wear-proof than the usual black-figure and red-figure techniques, and was more difficult for the painter.

Additional information

Bid now on these items

A Mesopotamian clay cuneiform foundation cone with dedication inscription of King Lipit-Ishtar of Isin

A small Mesopotamian clay cuneiform foundation cone inscribed for King Sin-Kashid of Uruk

A Neo-Assyrian or Neo-Hittite bronze helmet with pelta-shaped cheek-pieces

An Attic pottery tankard with geometric decoration

A Greek pottery alabastron in the form of a greaved leg

A Greek terracotta female figure with a bird perched on her shoulder