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Lot 50*

Inji Efflatoun
(Egypt, 1924-1984)
Dreams of a Prisoner (Ahlam Almuetaqalih)

Withdrawn
Amended
17 November 2021, 15:00 GMT
London, New Bond Street

£4,000 - £6,000

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Inji Efflatoun (Egypt, 1924-1984)

Dreams of a Prisoner (Ahlam Almuetaqalih)
ink on paper, framed
executed in 1961
37.5 x 51.3cm (14 3/4 x 20 3/16in).

Footnotes

Provenance:
Property from the collection of Dr Angelo Gioe, cultural attaché at the Italian Cultural Institute, Cairo 2003-2007

"Prison was a very enriching experience for my development as a human being and an artist. When a crisis or tragedy occurs, one is either empowered or destroyed" - Inji Efflatoun

Inji Efflatoun was known as a feminist and a political activist as well as an artist. A lifetime Marxist, Efflatoun became a staunch communist from her school days onwards. In 1942, she joined the Egyptian Communist organization Iskra (al-sharāra) and in 1945 she was one of the founding members of the League of University and Institutes' Young Women.

Her artistic education began when her mother, Salha Efflatoun, hired Kamel El Telmissany as Inji's private tutor. Encouraged by Telmissany, at the young age of eighteen Efflatoun exhibited her seminal work Young Girl and Monster (1941) alongside the avant garde Art and Liberty Movement.

Efflatoun foresaw her impending imprisonment, in March 1959. For the first time in Egyptian history, women were imprisoned for their political beliefs. Alongside twenty-five female political activists, Efflatoun was secretly arrested by Gamal Abdel Nasser's regime. Inji Efflatoun was imprisoned for four and half years, and used her paintings as a negotiating tool. In July 1963, she was released from incarceration and painting became her main activity until her death in 1989.

The present work which was painted in 1961 is the only work to ever appear at public auction from her period of imprisonment, which is considered to be one of the most important stages of her artistic development.

Her works from the prison period are characterised by their bold and textured brushstrokes, dark and expressive colours in an atmospheric and hypnotic trance. According to her memoirs it was in prison "that the reduction of her liberties enhanced her capacity for aesthetic appreciation, intensifying the wonder of even the smallest quantum of nature available to her gaze".

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WITHDRAWN

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