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Eclectic Wonders: The Collection of Timothy Egert

6^* — Louay Kayyali (Syria, 1934-1978) The Young Lovers (Al Ashiqan Al Saghiran)

£50,000 - £80,000

7^* — Naim Ismail (Syria, 1930-1979) Hayy ibn Yaqzan (Alive, son of Awake)

£40,000 - £60,000

8^* — Saliba Douaihy (Lebanon, 1915-1994) Mar Gerges Church, Ehden

£20,000 - £30,000

9^* — Jewad Selim (Iraq, 1919-1961) Still life with Statuette

£50,000 - £80,000

10^* — Mamdouh Kashlan (Syria, 1929-2022) Before The Light Fades (Kabl An Yazoul Al Djaw)

£12,000 - £15,000

Property from the Artist's Estate

11 — Mahmoud Sabri (Iraq, 1927-2012) Study of a Rural Family

£15,000 - £25,000

Property from the Artist's Estate

12 — Mahmoud Sabri (Iraq, 1927-2012) Mother and Child

£100,000 - £150,000

Property from the Artist's Estate

13 — Mahmoud Sabri (Iraq, 1927-2012) Public Bath

£40,000 - £60,000

Property from the Artist's Estate

14 — Mahmoud Sabri (Iraq, 1927-2012) H20 + AG + AiR (From the Quantum Realism Series)

£50,000 - £80,000

15^* — Sliman Mansour (Palestine, born 1947) Woman From Bethlehem

£60,000 - £80,000

16^* — Etel Adnan (Lebanon, 1925-2021) Belles Creatures

£60,000 - £80,000

17^* — Saloua Raouda Choucair (Lebanon, 1916-2017) Untitled (from the Repetitive Dual series)

£30,000 - £50,000

18^*,AR — Chaouki Choukini (Lebanon, born 1946) Equation Existentielle

£30,000 - £40,000

19^AR — Dia Al-Azzawi (Iraq, born 1939) Al Shamr

£40,000 - £60,000

Property from the collection of the late George Touma Yacoub

20^AR — Dia Al-Azzawi (Iraq, born 1939) Arabic Image II

£30,000 - £50,000

Property from the collection of the late George Touma Yacoub

21^AR — Dia Al-Azzawi (Iraq, born 1939) Drawings Consecrated to Love

£4,000 - £6,000

Property from the collection of the late George Touma Yacoub

22^AR — Dia Al-Azzawi (Iraq, born 1939) Horse

£4,000 - £6,000

Property from the collection of the late George Touma Yacoub

23^AR — Dia Al-Azzawi (Iraq, born 1939) Composition

£4,000 - £6,000

Property from the collection of the late George Touma Yacoub

24^AR — Shafic Abboud (Lebanon, 1926-2004) Le Cafe a Gien

£2,000 - £3,000

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Lot 18

Jewad Selim
(Iraq, 1919-1961)
Standing Woman

Modern and Contemporary Middle Eastern Art including Baghdadiyat: Iraqi Masterpieces from the Madhloom and Makiya Collections

2 June 2021, 16:00 BST

London, New Bond Street

Sold for £15,250 inc. premium

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Jewad Selim (Iraq, 1919-1961)

Standing Woman
glazed ceramic
signed and dated 1949 on the base
Height: 21 cm

Footnotes

Provenance:
Property from a private collection, England
Formerly property from the collection of the renowned Iraqi architect Said Ali Madhloom (1921-2017)
Acquired directly from the artist by the above

"People have said for ages that a woman's hips are shaped like a vase. It is no longer poetic; it becomes a cliché. I take a vase and with it make a woman... I move from metaphor back to reality" – Pablo Picasso

"My heaviest burden is to decide how to divide my energy between painting and sculpture. I think that someday I must give up one of them because my creative ability is split between the two. I am thinking of giving up painting for good.'"- Jewad Selim

There was a huge emergence of studio pottery in Britain in the first half of the 20th century which left a profound impression on Jewad's practice. Studio potters such as Bernard Leach aimed to raise the profile and reputation of pottery to a level where it would be regarded as equal to painting and sculpture. This 1949 ceramic sculpture combines elements of Jewad's different practices, fusing both painting and sculpture. For Jewad there was something singular about the opportunities that working with clay provided for his creative process. Appreciating the plastic and technical possibilities of three-dimensional forms, he approached ceramics in a more playful and whimsical manner. Ceramics were both aesthetically pleasing but also functional, you could quickly and inexpensively create and experiment with this art form. There is a deliberate reference to ceramic traditions from all over the world, seen most strikingly in this depiction of a woman. This work exemplifies the dialogue between ancient and modern that characteristics Jewad's oeuvre.

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- Modern & Contemporary Middle Eastern Art