


Two maidens standing in discussion in a landscape Mughal, by a follower of Govardhan II, circa 1735-40
£4,000 - £6,000
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Two maidens standing in discussion in a landscape
Mughal, by a follower of Govardhan II, circa 1735-40
Mughal, by a follower of Govardhan II, circa 1735-40
painting 160 x 115 mm.; with borders 250 x 203 mm.; calligraphic composition 155 x 70 mm.
Footnotes
The inscription reads: 'The work of Govardhan'[II].
The artist known as Govardhan II (to distinguish him from the famous Shah Jahan-period artist) worked in the reign of the Emperor Muhammad Shah (reg. 1719-48), and was one of the most prominent painters working for him. He was the only known artist of the period to collaborate on an illustrated manuscript of imperial quality (for which see the entry for a manuscript of Rai Anand Ram Mukhlis' Karnama-i 'Ishq, in J. P. Losty, M. Roy, Mughal India: Art, Culture and Empire, London 2012, pp. 196-201, figs. 138-145). See also a work of circa 1738, depicting Muhammad Shah with his wazir, and the discussion there (op. cit., p. 166, fig. 108). There are several works by him or in his style now in the British Library, which portray (inter alia) standing maidens: see T. Falk, M. Archer, Indian Miniatures in the India Office Library, London 1981, pp. 110-111, nos. 169-174.
The calligraphic composition comprises two couplets by Jami in fine nasta'liq script, and is signed katabahu javaher raqam, 'Javaher Raqam copied it'.
Sayyid 'Ali Tabrizi (d. AH 1094/AD 1683), a resident of Isfahan, moved to India with his father Mir Muqim during Shah Jahan period. He was made a teacher to Prince Aurangzeb (later 'Alamgir) and received the title Javaher Raqam from Shah Jahan. Under 'Alamgir, he was honoured with the title Khan, the rank of one thousand, appointed the private scribe and was placed in charge of the Royal library. His recorded works are calligraphic pages dated between AH 1062/AD 1651-52) and AH 1086/AD 1675-76. See M. Bayani, Ahval va athar-e khawshnavisan, vol. II, Tehran 1346sh, pp. 447-449).